In three tales of extreme horror, a young couple hires a mysterious nanny for their baby; a young woman discovers that her sister has been dead and been made alive again; and a student unwittingly brings home from a beach field trip the egg of an alien monster.
Three unrelated stories of horror include a substitute teacher who preys on a small school; neighborhood children being abducted by a tree-dwelling monster; and a group of Manila residents plagued by attacks from a Manananggal.
Three tales of unbridled terror follow a couple vacation on a secluded island where strange forces are at work to keep them there; a young woman whose boyfriend is ill meets a handsome young man in the woods who seems to exhibit magical powers that can cure her sick friend, on the condition that she stay with him forever; and a family who move into a new apartment, unaware of a supernatural tragedy that occurred there.
Three terrifying tales follow a young groom in Baguio for his honeymoon is possessed by a homicidal spirit when he discovers a cursed ring and decides to wear it; in the eerie halls of a mysterious hospital, a doctor practices voodoo and dead bodies wander in the night; and a student who learns, while a guest at a town fiesta in a remote province, that the locals' hospitable ways leave her clueless about a mysterious nightly ritual.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.
A young boy tells three stories of horror to distract a witch who plans to eat him.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
A romantic film composed of seven intertwining love stories. Couples in love offer a glimpse into their intimate private lives as they deal with emotional problems proportional to their age and nature. Teenagers experience their first romantic love; young artists try to cope with the success and fame that has invaded their privacy; a self-destructive bohemian encounters a pure, religious being; an unfaithful husband must make a fateful decision; a lazy cynic unexpectedly falls in love; self-centered seniors with unsuccessful pasts try together to build a better future, and love disrupts even the world of paid private prostitution.
A young and excentric radio DJ airs a successful program in which diverse calls come in from anonymous listeners, who reveal their love stories, all charged with mix-ups, disputes and passion.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Three anthological segments about sexcapades and erotic fantasies in middle-class Italy.
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.
Zločin a trik II.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
This bittersweet film was Roman Vávra's feature debut. The film consists of three independent stories, all connected through the motif of a field of grain. In 'Awn' a young couple takes a summer stroll in the country, in 'The Haystack' a gang of boys have an adventure with an older girl, and 'The Journey' recounts the tragicomic homecoming of a pair of aging newlyweds. For only the second time in the nineties Czech star Iva Janzurová appeared on the silver screen.
A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.