Documentary giving an extensive look into the design and development of the creatures created for artist Takashi Murakami's first feature film, Jellyfish Eyes.
Academy Award winning make-up artist Rick Baker reflects on An American Werewolf In London and The Wolfman.
The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.
Get the scoop on the legendary actor-director-New Yorker John Cassavetes straight from the mouth of his friend, peer and co-star Peter Falk (Columbo) in Paul Joyce’s documentary, Out of the Shadows: The Films of John Cassavetes. Falk lays bare the quirks and gifts of the director of The Killing of a Chinese Bookie and A Woman Under the Influence, and star of De Palma’s The Fury and Tarantino favourite Mikey and Nicky, in this outright and honest interview.
A behind the scenes look on Jaws The Revenge with interviews from the cast and crew.
Interview-Documentary with special effects artist Gino De Rossi on the making of "Cannibal Ferox".
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
A history of movie magic from 1895 to 1995, showing primitive effects used in such films as "A Trip to the Moon" up to the state of the art effects used in "Apollo 13" and "The Abyss."
Doris Dörrie - Die Flaneuse
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.
From Star Wars to Jedi: The Making of a Saga is a 1983 television documentary special that originally aired on PBS. It is a behind-the-scenes look at the making of the original Star Wars trilogy, with particular emphasis on the final film, Return of the Jedi. Narrated by actor Mark Hamill, the documentary was written by Richard Schickel who had written the previous television documentaries The Making of Star Wars (1977) and SP FX: The Empire Strikes Back (1980).
A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.
As an actor, director and producer, Ray Harryhausen has been a vibrant figure in Hollywood, working on everything from family films to mind-bending sci-fi. But his true genius lay in the creation of special effects for movies such as Mighty Joe Young and It Came from Outer Space. Narrated by Leonard Nimoy and featuring appearances by George Lucas and Ray Bradbury, this film documents Harryhausen's remarkable life's work.
Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
Thrill to the action from a battle to the death between beautiful amazons, twisted mutants and sickening, deadly zombies sometime after WWIII as you also watch from behind the scenes as brilliant special effects are constructed by demented master craftsmen, some of whom seem to be losing their grip on reality! Which side of the camera are we really on? How far will these gut-wrenching effects go? The answer is further than ever before - more graphic scenes of violence, perversion, mutilation and slaught per minute than any horror feature ever made!
An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.
A multi-part documentary about the making of the Jurassic Park trilogy. Each part walks through the making of part of one of the films, including the hurricane during the shooting of the first film, and how advances in CGI for Jurassic Park helped change the world of special effects forever. All interviews for these retrospective documentaries come with comments from Spielberg, Johnston, Neill, Dern, Goldblum, the effects crews, the child actors, and Peter Stormare. This documentary is broken into six parts: Dawn of a New Era (25 min), Making Prehistory (20 min), The Next Step in Evolution (15 min), Finding the Lost World (28 min), Something Survived (16 min), and The Third Adventure (25 min).
The Russian filmmaker, Pavel Klusjantsev, has had an extraordinary influence on an entire genre of films. Throughout his career at the film studio in St. Petersburg, Klushantsev pioneered and invented legendary techniques for filming the planets, stars and weightnessless - long before anyone else. He went on to redefine the science fiction genre and influence the way Hollywood made their science fiction films, including the Academy Award-winning Visual Effects Master, Robert Skotak, a man who spent years trying to track Klushantsev down