Natalie III - Babystrich Online

Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.

The sordid lives of an addict, an ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong.

Three troubled young girls will do anything to escape their stifling lives - even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

A woman endures the life of a prostitute for a yakuza pimp.

Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.

Jack an 18-year old hustler and his boyfriend Tom are an item, close and very much in love. Otherwise, Jack is impulsive and explosive with few redeeming qualities. Ken, a married man who hasn't come out of the closet, takes Jack from NYC to Miami with the intention of helping him.

A pool boy and a gardener turn an empty mansion into a home for women who belong to the world's oldest profession.

Qazi is the story of a young Pakistani refugee who is forced by economic and family circumstances to seek his fortune in Europe.

Rose, a young woman who suffers from tinnitus, falls into an infernal spirale, as she is willing to do anything to make her ears stop ringing.

Elisa, 16, is bored by her suburban existence. One night, she discovers a book in her stepfather's library. The crude and tender words of a prostitute make her see her own desire in a new and unexpected light.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

A young man decides one day to start killing yakuza. After he kills his first two he gets roped into helping a wannabe gangster and his bumbling underlings to perform a hit. While things work out in the beginning, this young psychopath quickly becomes more trouble than the gang expected. Will they be able to rid themselves of him, or will they be his next victims?

A group of friends come of age in the asphalt desert of the San Fernando Valley, as set to a blazing soundtrack and endless drinking, drugs and sex.

A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.

Historias de Lavapiés

Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world. Is this the world of John Wayne Gacy?

The social worker Luise Gottschalk dedicates all her passion to the Viennese caretakers and derailed young people. Tirelessly, she advertises to adults for understanding the needs of adolescents. She is particularly committed to a girl named Elfie Breitner who is at risk of drifting into prostitution.

A coming-of-age tale centered on Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.

Marguerite, a beautiful woman of affairs, falls for the young and promising Armand, but sacrifices her love for him for the sake of his future and reputation.