Why We Fight: The Nazis Strike

A powerful and emotional new episode of ESPN E60 will look back 50 years to one of the darkest moments in sports history – the Munich Massacre, when Palestinian terrorists murdered 11 Israeli sportsmen at the 1972 Summer Olympics. E60 will tell the story of one Israeli athlete, now 86, who survived, just as he had survived World War II and the Holocaust when he was a child.

Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.

The Invisible Man's grandson uses his secret formula to spy on Nazi Germany.

The "true" story of Wehrmacht sniper Fredrick Zoller as he single-handedly fends off an Allied siege of a Sicilian town.

The code to unlocking this feature documentary is 1949, the year the director was born, and also the year of the return of Soviet repressions to Latvia. The film tells a very personal story against the background of less visited historic events – the death of director’s father due to the KGB repressions, which is closely linked to the devious game Soviet Latvia’s KGB played against Swedish-British-American spy agencies.

During World War II, Italian villagers hide their wine from the German army.

In World War II, the greatest threat to the British navy is the German battleship Tirpitz. While anchored in a Norwegian fjord, it is impossible to attack by conventional means, so a plan is hatched for a special commando unit to attack it, using midget submarines to plant underwater explosives.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

A small British army team is sent deep behind enemy lines to destroy a German petrol dump as part of the preparation for a major attack in the North African campaign. Sea of Sand was distributed in the US in a shortened version, Desert Patrol.

In the last few days of the Warsaw Uprising during World War II, a modest group of Resistance members remains. The band must take refuge in the sewers under the orders of leader Zadra, but it's only a matter of time before they will have to emerge. However, when they try, they are met only with intense hostility from the Nazis. Despite their attempts stay resolute through immense mental strain, it becomes increasingly apparent that they may be doomed.

The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.

A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.

The SS chief Heinrich Himmler wanted to exchange Jews against so-called German Reich abroad, against arms sales or for cash - with the express approval of Hitler.

In 1935, Japan's Unit 731 conducts inhumane experiments. A doctor tries to free prisoners, including his fiancée, from the camp while witnessing atrocities.

This World War II documentary rests on an unusual thesis: it argues that, in the wake of Pearl Harbor, the actions precipitated by the U.S.A.F. that truly helped turn the tide were perpetrated not by the widely-ballyhooed U.S.N. aviators or aircraft carriers, but by the American submarines - silent warriors beneath the deceptively placid ocean surface. The subs, after all, were responsible for gravely wounding Japan's industry, all but destroying the Japanese merchant fleet, and therefore preventing reinforcement of Japanese military garrisons. In relaying this story, the program draws on a series of interviews with military veterans, and endless archival footage of naval battles that chronologically tells the gripping story of the Pacific Front of the war.

A by-the-book Captain is ordered to capture a strategic village in Italy. The Italian soldiers are willing to surrender, if they can have a festival first. The lieutenant convinces the Captain this is the only way. Because of aerial reconnaissance, they must look like they are fighting. To sort this out an intelligence officer is sent in. Meanwhile the festival gets complicated with the Mayors daughter.

It is the summer of 1941. An eastern-Finnish machine gun company receives an order to turn in their surplus equipment. The company is transferred to the front lines. The next morning the soldiers wake to the sound of guns – the war has begun.

Having been discharged from the Marines for a hayfever condition before ever seeing action, Woodrow Lafayette Pershing Truesmith delays the return to his hometown, feeling that he is a failure. While in a moment of melancholy, he meets up with a group of Marines who befriend him and encourage him to return home to his mother by fabricating a story that he was wounded in battle with honorable discharge.

In North Africa, German Field Marshal Rommel and his troops have successfully fended off British forces, and now intend to take Tobruk, an important port city. A ramshackle group of Australian reinforcements sent to combat the Germans is put under the command of British Captain MacRoberts. The unruly Aussies immediately clash with MacRoberts, a gruff, strict disciplinarian, however this unorthodox team must band together to protect Tobruk from the German forces.

Le cahier de Danièle Kahn