The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.
The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?
Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).
Takemiya Union Tōjō-gumi Wakagashira Yasuda (Hitomi Matsuda) retaliates against the Kansai-based Myōjin-kai by attacking their office after an assassination attempt on Union chairman Shimamura (Shunsuke Kariya). Joined by Yamashina-gumi Wakagashira Kiryu (Yoshiyuki Yamaguchi), the two succeed and pledge to work as brothers without an official oath, dedicating themselves to their organizations and the Union. The Union faces upheaval with Shimamura's retirement announcement and the loss of his son, Katsuto (Hitoshi Ozawa). The leadership race narrows to Tōjō (Hiroyuki Watanabe), Yasuda's boss, and Yamashina (Masahiro Noguchi), Kiryu's boss. Just as Yasuda’s casino operation thrives, a police raid confiscates all earnings and forces its closure. In desperation, Yasuda turns to a certain man (Naoto Takenaka) for help.
Yasuda (Hitomi Matsuda), the Wakagashira of the Takemiya Union Tōjō-gumi, infiltrates the hideout of the Yamashina-gumi's Sakazaki (Junichi Kawamoto), who had been secretly engaged in organ trafficking. Yasuda tries to extract the truth from Sakazaki, but is killed by Detective Hyūga from the Organized Crime Division (Marubō). The blame is pinned on Yasuda, leading to his arrest. Two years later... In Yasuda's absence, the boss of the Tōjō-gumi, Tōjō (Hiroyuki Watanabe), is assassinated by a hitman from the Myōjin-kai. The situation changes drastically. Nikaidō (Tarō Kawano) pressures Yasuda to reestablish his oath of allegiance, but Yasuda firmly refuses. Frustrated by Yasuda's response, Nikaidō makes a certain proposal to the union's chairman, Shimamura (Shunsuke Kariya).
Arikawa runs a transport company. But this is only a front for his gambling house. Yuriko is a regular on the scene, and she is fascinated by the dice and the one who throws them. A year before, Yuriko's father died in mysterious circumstances; she decides to go in search of the truth.
Yukiko is on her way to meet Boss Gunji. Judging by her appearance, no one would suspect that this beautiful young woman, sitting quietly in a suburban train, is the only woman able to beat the best professional players in Japan; or that she is wearing the tattoo of the man that loved her and died for her...
Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.
In prison for 50 years after massacring his corrupt workmates with a samurai sword in 1945, Ginji Sonesaki (Riki Takeuchi) is given the nickname of Ginji the Slasher. On his release he finds himself on the streets living with the homeless hiding from a man whose life he tried to end. His former boss and the object of Ginji's hatred is now a highly-regarded figure in politics but Ginji plans to remind him of his past transgressions and make him pay for ruining his life.
A man gets rid of a cheap pot without knowing it contains a map to a treasure. As word spreads, many join in hunting it.
A samurai is ordered by his lord to go to Edo and investigate the truth behind the rumor of a rebellion against him.
Nakadai Tatsuya, Japan’s greatest living actor, gives the performance of a lifetime as Shoji Sanosuke, and elderly samurai forced to pick up his sword to protect those he loves in this adaptation of a Fujisawa Shuhei novel. As a ”Heya-zumi” (essentially a freeloader living off his family) Sanosuke has one last chance to help his grandniece escape from the cruel samurai of an arranged marriage. Nakadai proves he ”still has it,” when fate forces him into a deadly duel. This award winning samurai drama from the pen of noted author Fujisawa Shuhei is a tribute to one of the greatest actors to ever grace the silver screen!
It's a thrilling, action-packed entertainer with sparks of men versus villains in an up-and-down tale of brothers burning with masculine will and passion.
Takei Goro leaves the gang to quit the yakuza world, but the gang won't allow it and relentlessly pursues Takei. This is Watari Tetsuya's first film to star in Shochiku.
Set during the Meiji Restoration period of Edo era Japan, Naoyuki belongs to the 8th generation of the Inoyama family, a wealthy family known for finance & accounting. He is also a gifted mathematician and uses the abacus with extreme skills. Naoyuki works under the declining Kaga domain. Because of this, Naoyuki and his wife Koma suffer hardships as their stature and wealth dissipates.
Rin Jyoshima lost her father to death-by-gambling; years later, she's grown up in the Kosugi household and has fallen victim to gambling herself.
When the mobster Iwaida Nishikawi is executed by the hit man Takeshi, his family chases the killer. Takeshi's brothers Takashi and Hideshi Miwa try to find Takeshi, who is hidden with the nurse Rie Ishibashi, to protect him and Hideshi discovers that Takeshi was secretly sent by their Yakuza boss to eliminate Iwaida. Meanwhile, the mobster Kenmoshi abducts Takashi's wife Mariko and rapes her, trying to force Takashi to deliver his brother to him.
A sailor tries to help his younger brother, a horse-racing jockey, escape from the yakuza after double crossing them in a fixing scam. Seijun Suzuki's directorial debut.
A year later, Mouri was demoted, and Saiga was expelled from the gang. Engetsu suddenly fell ill, and in Yokohama, where Engetsu's influence waned, drugs began to spread. Amid the unrest, Mouri and Saiga begin to confront each other.
Barefoot and her friends decide to make a samurai movie, gather a unique cast and staff for the production, and try to screen it at their school festival.