Rue des Pignons

Le Polock

Urban Angel is a Canadian television drama series, which aired on CBC Television from 1991 to 1993. Based on the memoirs of real-life Canadian journalist Victor Malarek, the show starred Louis Ferreira as Victor Torres, a crusading journalist for the Montreal Tribune. The series aired in the United States as part of CBS's late-night Crimetime After Primetime line up. The show's cast also included Vittorio Rossi, Dorothée Berryman, Vlasta Vrana, Ellen David, Dean Marshall, Michael Rudder, Macha Grenon and Sophie Lorain.

Casino

Situation d’urgence

Le temps d'une paix

Appelle-moi si tu meurs

FLQ : la traque

The life of Léon, a half-sighted man, was turned upside down when his mother died. Since retrograde skydiving is part of the biological son's family, it is not the same. Fortunately, since you are in Florence, you look at it further and the way more, because just like lazy everything is different.

In the fictional city of Saint Andrews, Brett Montgomery, a wealthy cosmetics businessman and doctor at the local hospital, and Brad, his evil twin brother, battle for control of the Montgomery family fortune. Brett’s fiancée, Cricket, is a journalist with the local television station and has a twin sister, Ashley, who is a nurse at the hospital.

Connexion en cours

Col bleu

Marc, Louis and Gaétan work as doormen in a fictional nightclub called The Manhattan. The new owner wants to give the bar an upscale makeover and the three friends are stuck having to deal with this hip new work environment, with riveting consequences.

Omertà or Omertà, The Code of Silence is a Quebec television series of 11 forty-five minute episodes, created by Luc Dionne and aired from January to April 1996 on Radio-Canada. In France, the series aired on France 3 in 1998. A second season, titled Omertà II – The Code of Silence, had 14 forty-five minute episodes and was broadcast between September and December 1997 on Radio-Canada. A third season, titled Omerta, The Last Men of Honor, had 13 episodes and was broadcast from January to April 1999, on Radio-Canada.

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Fictional portrayal of 'The Summer of 1990' in Kanehsatake: the major conflict between a Mohawk community and the Canadian and Quebec governments - over the expansion of a golf course into an aboriginal cemetery.

With humour and compassion, Annie et ses hommes  shows us the ups and downs of a modern family, focusing on the emotions and experiences of a woman in her forties. This dramatic comedy is a subtle portrait of a singular woman, Annie, and her clan. It’s a thought-provoking exploration of family life.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?

Marie Lamontagne, a widowed mother of two in her forties, confesses to a murder she didn't commit to protect her daughter. Thrust into brutally unfamiliar and hostile surroundings, she first learns survival, then confronts the biggest challenge of her life: bonding with her fellow inmates and helping them take back control of their lives.

The story of families haunted, despite themselves, by a past that has not died.

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