It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
Lesní ženka
Princ Chocholouš
Soviet cartoon adaptation of Hans Christian Andersen's fairy tale.
Several of the works of writer Bohumil Říha have been filmed. This novel by the pro-regime writer also inspired a children’s film, which was directed in 1981 by the experienced family filmmaker Václav Gajer. The story takes place in 1947 and it is based on the popular model of the relationship between a human hero and an indomitable animal protagonist. The tale of the freedom necessary for life, is, of course, beholden to the standards of the time: the Hucul horse that heals an old villager, has remained in the small village in Šumava after the Soviet soldiers have left. This is a pleasing movie that engages with the acting performance of Zdeněk Řehoř and the depiction of the indisputable beauty of the Šumava landscape as shot by cameraman Jan Němeček.
Schoolgirl Masha gets into the fabulous city cheerful workers, which with the help of servants and cap of invisibility inhibits the evil Korol Kropodin I. Before the townspeople finally get rid of oppressors, Masha is a party to the exciting events and adventures.
Wicket the Ewok and his friends agree to help two shipwrecked human children, Mace and Cindel, on a quest to find their parents.
This fairy tale, based on a story by Oscar Wilde, begins on a stormy night when a woodcutter named Gordon finds a newborn baby in the forest. He names him Orion—child of the stars—and takes him home. Orion (played as an adult by J. Laštovka) grows up to be a very handsome boy, but unfortunately also conceited and cruel. One day, a beggar woman appears at the woodcutter's house and recognizes Orion as her lost son. Orion, who believes he is the child of a star, insults her badly and drives her away. Immediately, his face changes into a ridiculous and ugly one. After ten years of wandering, during which he learns many things, Orion falls into the power of an evil wizard who has a task for him. Completing this task will help the wizard rule the whole world. Orion must overcome evil spells and regain not only his beautiful face and pure soul, but also the love of his mother, whom he once proudly drove away.
The Moomintroll is on his way home to his mother but runs into trouble. Little My has disappeared, and Hemulen, who thinks it's Christmas, sucks up everything that comes his way in the vacuum cleaner's big horrible funnel.
Once upon a time, there lived a royally sour blueberry, a fair rhubarb maiden and a dastardly deceptive mirror! Sweetpea Beauty knows that what's on the inside is what matters most, but insecure Queen Blueberry can't see past her own reflection! So, when a decree is handed down that only the most beautiful can rule the land, the Queen gets nervous and things turn ugly! Banished to the dark forest, Sweetpea's fate seems bleak until a charming prince, a band of merry minstrels and seven snow peas come to the rescue! Will Sweetpea and her friends be able to warn the Queen in time to save her from the clutches of the tricky mirror - or will the crumbling kingdom and the Queen's own heart be lost forever? Find out in this fairy "Veggie" tale about the real meaning of true beauty.
Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.
An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort.
Musical fairy tale tells the story of prince and princesses from neighbouring friendly countries who have to marry each other, as decided by their wise fathers with their advisors. However, the royal children want to decide their fate themselves. They meet in the royal garden, where princess pretends to be a maid and prince to be a herdsman. Prince under cover is imprisoned and helps princess with rebellion. She becomes sad all the time, because she does not want to marry anyone. Luckily, love finds way to their life . . .
Hans the farmer is drawn into war as a soldier. Returning from the front, having been defrauded of his pay by his own king, he makes his way home. On his trip, he encounters a witch who asks him to fetch the light from a spring. He keeps it when the witch tries to deceive him and he discovers her foul magic. When the light is ignited, a little man appears who must serve the owner of the light, but it only has power if the owner has faith in himself. His courage bolstered, Hans goes to the king once more to demand his wages be paid.
Little Red Riding-Hood lives together with her parents in a house on the edge of the forest. Her friends are a bunny, a squirrel and a bear. The little girl is always prepared to help, friendly, innocent and even unsuspecting, for she does not hold anyone capable of doing anything bad. Little Red Riding-Hood often visits her grandmother who lives in the depths of the forest. But her way there is a dangerous one: the wolf and its lackey, the fox, terrorize everyone with their evil deeds. One day, Little Red Riding-Hood is caught in their net.
The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?
Erich Kästner’s beloved novel has been adapted for film or television six times since its publication in 1929; this 1935 British version was the first in English. Believed lost for decades, it was recently rediscovered by the BFI and has now been restored. The film moves the action from Berlin to London, where Emil goes to stay with his grandmother and cousin. Thereafter, the tale of Emil’s adventures with a gang of streetwise London children faithfully follows the original plot.
Klaus lives with his two brothers Kunz and Franz in a little village. Together, they ply their trade as cobblers in a small workshop. But the workload rests mainly on the shoulders of ill-treated Klaus. When Kunz and Franz go off into the forest to chop wood for fuel they run into an old woman who asks them for some wine and bread. Rudely and gruffly, they refuse her request and return home without any wood. Klaus then has to set out and he meets the old woman as well. He gladly offers her his frugal meal which is suddenly turned into pancakes and good wine. In addition, he receives a golden goose for his kindness. The bird possesses a an unusual characteristic: all those who are prying, nosy, envious and rapacious get stuck to it and become glued to one another.