Bismuna - Ein Abenteuerfilm

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

Montréal-Nord is one of those areas we euphemistically call “disadvantaged.” A place where drugs, poverty, delinquency, suicide and all kinds of dysfunction are depressingly commonplace. This is where the late Magnus Isacsson decided to film 18 months in the lives of four young men aged 17 to 22: Danny, Alex, Mickerson and Michael. Music is central to all of their lives. More than just a pastime, hip-hop is their outlet for coping with their demons. With the help of their teacher, mentor and friend Don Karnage, and driven by a fierce desire to overcome hardship, they learn to be adults. Winner of the award for Best Canadian Feature Film at the most recent Montreal International Documentary Festival, Ma vie réelle is an exceptionally astute document in which listening and generosity gain the power to defeat misery.

Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?

Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.

Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.

A portrait of a remote area in the rural north of Nicaragua facing difficulties with the revolutionary process. It follows Marlon Stuart, the regional FSLN political organiser, at the time of the 1984 elections.

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.

Hotel Laide

DREAMING NICARAGUA is a film about HOPE. It's about love for the dignity and courage of the human spirit that, even immersed in uttermost tragic conditions, fights for a better life, and in this case, with a friendly SMILE. DREAMING is a sensitive and lyrical portrayal of four children living in extreme poverty in Nicaragua. The film takes us beyond their hardships and gives voice to the youngsters, who are surprisingly funny, hopeful, and optimistic. A traveling art teacher provides a safe arena for our four unlikely protagonists to express their innermost thoughts. When painting, the kids momentarily escape the stresses of their reality into a world of dreams and ideas, a stark contrast to their lives outside: a vicious cycle of hunger, child labor, and violence. Despite the extreme circumstances, the children and their families face their lives with an inspiring unity, strength and humor.

The story of how an Australian and international community of blacksmiths, welders, artists and volunteers responded to the devastating Black Saturday bush-fires by creating perhaps the nation's most ambitious public artwork and memorial – The Blacksmith's Tree, a three tonne, 9.8-meter tall stainless steel and copper gum tree.

Portrait of a group of 150 U.S. citizens who spent two weeks participating in the cotton harvest in a remote village in Nicaragua, seeing for themselves the impact of the U.S.-backed Contra war.

Christian, Finn and Moritz became addicted to drugs as teenagers. In 1999, the film "Bismuna - Ein Abenteuerfilm" was made about the three teenagers and their counselor as they traveled to an indigenous tribe for the drug cure. Now, some 10 years later, it shows what the men have done with their lives.

Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.

Sixteen female sex workers have been named judicial aides by Nicaragua’s Supreme Court to facilitate the resolution of conflicts that come up in their work. It is the first time in the world that sex workers have had access to this function. The film accompanies some of these women in their mediation work and in the actions they promote through their association, Girasoles (Sunflowers) of Nicaragua, to gain recognition and regulations for autonomous sex work.

In the spring of 1962, members of the Christian Peace Service aid group flew in from Bern, Switzerland and settled in the poorest villages in all of Greece. Led by photographer and social worker Fritz Berger, the group itself had one purpose: the provision of aid and development services to local communities inhabiting the southwest region of Lefkada. What followed were revolutionary advancements that would leave their lives forever changed.

Einmal mehr als nur reden

Born from the ashes of the iconic punk band Ebba Grön, this documentary tells the story of Imperiet and their journey to become the leading star of the post-punk generation and one of Sweden's biggest rock bands. It's also the story of Sweden, at a time in which they took their firm position on the world stage and when political commitment from the artists was a necessity.