Bismuna - Ein Abenteuerfilm

Christian, Finn and Moritz became addicted to drugs as teenagers. In 1999, the film "Bismuna - Ein Abenteuerfilm" was made about the three teenagers and their counselor as they traveled to an indigenous tribe for the drug cure. Now, some 10 years later, it shows what the men have done with their lives.

Born from the ashes of the iconic punk band Ebba Grön, this documentary tells the story of Imperiet and their journey to become the leading star of the post-punk generation and one of Sweden's biggest rock bands. It's also the story of Sweden, at a time in which they took their firm position on the world stage and when political commitment from the artists was a necessity.

Due to the increasing privatization of basic public services in Spain, companies such as BB Serveis are accused of misappropriating several million euros of public money intended to finance care for the elderly and other dependent persons.

Einmal mehr als nur reden

Young people who have to survive without a home base are helped on their way to a life on their own two feet at Wonen Met Kansen. Little by little, with trial and error, but with the rock-solid confidence that the supervisors have in them.

It's December 16, 1972, 50 years ago. The first social cooperative in the world is born in Trieste. It was formed by 28 people: two sociologists, two psychologists, five nurses, a healthcare assistant, two doctors and sixteen private individuals who all have the same residential address: via San Cilino 16, Trieste. They are interned in a psychiatric hospital and therefore have no civil and political rights: they cannot vote, marry or make a will. Imagine founding a cooperative. Thus the Court of Trieste rejected the request to establish the cooperative. It would have been a long march through the institutions.

¡Las Sandinistas! uncovers the disappearing stories of women who shattered barriers to lead combat and social reform during Nicaragua’s 1979 Sandinista Revolution, and who continue to lead Nicaragua’s current struggle for democracy and equality.

Les Enfants de la Bonne Mère : Rue d'Aubagne

Nicaragua, una patria libre para vivir (la insurrección de los nietos de la revolución sandinista)

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?

Sixteen female sex workers have been named judicial aides by Nicaragua’s Supreme Court to facilitate the resolution of conflicts that come up in their work. It is the first time in the world that sex workers have had access to this function. The film accompanies some of these women in their mediation work and in the actions they promote through their association, Girasoles (Sunflowers) of Nicaragua, to gain recognition and regulations for autonomous sex work.

Father Edward J. Flanagan is a familiar name to many Americans, often for the Oscar-winning 1938 film starring Spencer Tracy about Flanagan’s groundbreaking child welfare organization. But the story extends far beyond that, to a man whose name and legacy are still well-known as far as Germany and Japan. Flanagan gained influence and admiration over the course of his life from Presidents, CEOs, celebrities and more, but none mattered more to him than that of the children for whom he tirelessly worked. A sobering reminder of this was during WWII, as Flanagan saw droves of former Boys Town citizens go off to war. In fact, so many former Boys Town boys named Flanagan as their next of kin that the American War Dads Association named him as America’s No. 1 War Dad.

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.

This 1979 documentary depicts the daily life of gangs in the South Bronx. It deals primarily with two African American and Puerto Rican gangs known as the "Savage Skulls" and the "Savage Nomads".

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

This third opus will take us into the homes of some of the ADAMANT and AVERROES & ROSA PARKS’ protagonists, during the visits led by their caregivers.

The Interrupters tells the moving and surprising stories of three Violence Interrupters — former gang members who try to protect their Chicago communities from the violence they once caused.

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

FLYIN' CUT SLEEVES, completed in 1993, portrays street gang presidents in the Bronx. Their world was the streets, set against a backdrop of uprooted families, cultural alienation, drugs and violence. Neighborhood teenagers responded by organizing into street groups known to the members as "families", but labeled in the most alarming terms as violent gangs by the press. The documentation of these lives over a twenty-year period offers a remarkable perspective on life in the ghetto (spanning four generations), and the means that people devise to cope from the time that they are children to when they serve as parents and role models for a new generation.