A moving psychological portrait of Cambodia decades after a devastating genocide, examining how baksbat (Khmer for "broken courage") continues to impact modern Cambodia.
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
Through daily routines in a rural village, an indigenous elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.
Two Dutch lawyers, Michiel Pestman and Victor Koppe, travel to Cambodia in 2011 to defend Nuon Chea in an international tribunal. Nuon Chea, also known as Brother No. 2, was the second man after Pol Pot in the Khmer Rouge regime. He is being charged with mass murder and crimes against humanity. For four years, the documentary follows the lawyers in their attempt to give this man a fair trial, but the UN tribunal is beset by local interests and a government which consists partly of other former members of the Khmer Rouge who would really like all of the blame to rest solely on the defendant. What should've been the crowning achievement in the careers of the lawyers turns out very different.
The film, shot at the end of 1991 at the time of Norodom Sihanouk's return to Cambodia, questions the Cambodian people and explores the horrors and effects of the Khmer Rouge on them and what future they may look forward to
My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy.
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
This short documentary chronicles the culture and arts of Cambodian Americans and the Lowell, MA community through the eyes of Sokhary Chau, the first Cambodian American Mayor in the United States. Chau immigrated to the U.S. at seven years old to escape the Khmer Rouge genocide. Through this unique story that showcases the best of Lowell—immigrant success, assimilation, history, and the development of the arts—we see a man born into a war-torn country who comes to America to be a first-in-the-nation leader.
Documentary about Cambodia featuring a long interview with Pol Pot
1989. An examination of how the UN protected and revitalised the Khmer Rouge.
John Pilger shows how the UN has allowed the Khmer Rouge to grow stronger.
The story of Thun Chay, a Cambodian who was left behind by his mother in a refugee camp during their escape from the Red Khmer and the civil war in their home country.
In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.
John Pilger vividly reveals the brutality and murderous political ambitions of the Pol Pot/Khmer Rouge totalitarian regime which bought genocide and despair to the people of Cambodia while neighboring countries, including Australia, shamefully ignored the immense human suffering and unspeakable crimes that bloodied this once beautiful country.
Hope and closure are not always words that come to mind when discussing a film about the Khmer Rouge, whose bloody, fanatical rule from 1975 to 1979 resulted in the deaths of more than two million people from starvation, disease, torture and executions. But these two do come together, despite the pain of memories, in Cambodia After Farewell, a well-acclaimed, 100-minute documentary by French Cambodian director Iv Charbonneau-Ching and Jeremy Knittel to mark 4 decades since the Khmer Rouge took control of the Southeast Asian country to put in place the purest form of communism and the ideal agrarian society. The documentary follows the journey back to Cambodia – and into the past – of the family of Iv Charbonneau-Ching, with his mother and aunt, as they reconstruct, piece by piece, what happened to the family members they lost to the Khmer Rouge.
Since the fall of the genocidal Khmer Rouge regime in 1979, Cambodia has struggled to find its uniqueness and rebuild its society. Waiting For Cambodia features interviews and discussions with a variety of citizens, many of who represent a face of change and hope, and many who remain dedicated to the Khmer Rouge ideology. Images of cultural beauty are displayed through ritualistic dance and song, serving as a powerful accompaniment to the rough images of conflict. The attempts to regain culture, individual rights, and freedom are prevalent themes within the film, and footage of Cambodian relief camps and liberation organizations are displayed as efforts of change.
Between April, 1975 and January, 1979, Pol Pot and the Khmer Rouge were responsible for the deaths of 1.7 million people in Cambodia. A quarter of the population were wiped out in one of the most brutal and virulent genocides of the twentieth century. This new film explores the life of Pol Pot, the ever-smiling, obsessively secretive leader of the Khmer Rouge. What drove him to inflict such a radical experiment on his own people? How did the Khmer Rouge turn from a band of nationalist revolutionaries into a ruthless killing machine? And why did the West stand by and let it happen? As an international tribunal in Cambodia finally brings the surviving leaders of the Khmer Rouge to justice, it's time to re-examine the gruesome legacy of Pol Pot.
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.