Back To Africa
The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.
Prima ballerina Darcey Bussell talks about her life at the top. From tears at ballet school and forgetting the steps, to becoming the Royal Ballet's youngest-ever principal and her favourite roles, Darcey recalls her performing career from its earliest days.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A dynamic and lyric routine explores the relationship between the dancer and the performance space. Choreography by John Lam.
Time Stood Still is a 1956 Warner Brothers Scope Gem travelogue, filmed the previous year in Dinkelsbühl, and presented in the wide-screen format of CinemaScope, directed by André de la Varre. It was nominated for an Academy Award for Best Live Action Short Film at the 29th Academy Awards.
Jean Painlevé is interested here, with the help of Eli Lotar, in crabs and shrimps. He is particularly interested in detailing their anatomy and observing their mating and fighting behavior.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A multimedia performance including film, live narration and dance, How Can You Stay in the House All Day and Not Go Anywhere? explores loss and transcendence experienced in human partnerships. Reflecting on his relationship with 102-year-old former sharecropper, carpenter and gardener Walter Carter as well as Andrei Tarkovsky’s science fiction classic, Solaris, Lemon and 6 dancers create a performance which arcs from turbulent physicality to restorative grace.
A group of Macedonian women are shown hard at work.
The journey to the world championship is fraught with difficulties for Entity, the UK's most successful and controversial under sixteen street dance crew, as they battle to overcome the many challenges that face them in their bid for glory on the world stage.
A valuable testimony that approaches the essence of Nijinsky who did not leave a video. Boris Kochno, who was at the center of Russian ballet, vividly tells how Nijinsky, who had fallen ill, witnessed his newly choreographed self-made work. Nijinsky's successor machine is a rare record of transferring Nijinsky's appearance in the popular work "Afternoon of a Faun" to two great dancers, Grigorowich and Wasiriev, who carry Bolshoi ballet on their backs.
Why do we do incredibly difficult things that have no practical application? Is there a parallel between geographic and artistic exploration? Fram is a documentary and travel film about two friends journeying to the end of the earth, in order to make a dance film in the arctic wilderness of Svalbard. En route, they explore the history of our ideas of the Arctic, along with the grand questions of life, art and our place in the world. Sharing their love of discovering new geographic and artistic frontiers, choreographer-dancer-filmmakers and outdoor enthusiasts Thomas Freundlich and Valtteri Raekallio take the viewer on an engaging journey to a place where few have been and even fewer have danced.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
Documentary footage of the author and his two daughters at home.
In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.
Savo from Kikinda (Serbia) and his brother recall how they called communal service few years back to empty the septic tank in their backyard. As careless servicemen weren't coming for days, Savo staged his death by drowning in the hole. Communal service sent three trucks while Savo was looking at them from the attic. A story of a small man who fought the system and won, only to become a huge YouTube hero afterwards.
Award-winning choreographer Alexander Ekman dives into the subject of creativity by meeting scientists, professors, artists, film directors and choreographers, with the goal of trying to understand every aspect of the phenomenon.