The Oz Witch Project

Informed by an underlying sense of anxiety and anguish, Michael Robinson’s Polycephaly in D nestles fragments of narrative within a collage of sound, image, and text that oscillates between the elegant and the discordant.

A disgruntled gas station attendant gets a visit from an abrasive party girl looking for justice.

A gay Latino doctor must decide between keeping his low-income clients or taking a job at a private practice for the kids of the mega-rich.

David and his wife go to an old and strange house to look for antiques. But strange things happen to the wife. She suddenly seems to have disappeared without a trace in the house. However, when she reappears, she behaves strangely and frighteningly. David doubts his sanity. Is he awake or just dreaming, or does he really have to fear for his life?

A young man in search of a place to live, finds a beautiful apartment that he will have to share with someone who is not the person he was waiting for.

When Stella realises she's the only girl in her class who doesn't have her period, she sets out to fast-track her way to womanhood through somewhat unconventional methods.

MUTE is an animated short about a world populated by people born without a mouth. When a gory accident leads to the discovery they are able to create their own mouth by cutting themselves, this releases an enthusiastic chain reaction among the population…

The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.

Two robbers unknowingly break into the home of a murderer who is in the process of hiding his latest victim.

Lindos Angelitos

When Dr. Kel gets tasked with decoding signals from space, he discovers shocking signs of extraterrestrial life.

Once in a God-forsaken place, the heroine and her adopted daughter are forced to look for a bed for the night. Having found shelter in the building of an abandoned boarding school, she meets there close people from her past.

This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources. Drawing its title from the Pentagon's term for crash, Involuntary Conversion evokes the hollowness and free-floating anxiety that characterizes late 20th century culture. In a voice that could belong to a hypnotist or a government spokesman, a disembodied speaker recounts a string of events whose common thread is a sense of impending disaster. The mood is suspended somewhere between nightmare and deadpan and is propelled by a narrative as enigmatic as the language it exposes. The iconic shape of a fighter jet floating in a perfect sky has the creepy feel of a video game and the texture of television is used to make the images feel domestically ingrained.

Short film in which a group of children get to know the Enge Knijperman (the Grisly Pincher Man) who falls madly in love with the Onderstebovenvrouw (Upside-down Woman). However the 220-Volt-Witch and the Toilet Slave set out to spoil things. Experimental short by Aryan Kaganof, made under his birth name Ian Kerkhof.

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.

Morgan loves fly fishing in the river near her home. She also likes boys. But boys don’t like girls who fish. Morgan can't seem to reconcile her two interests. Will she have to choose one and abandon the other?

A man rehearses for an emergency—the dry swimmer, his technique is good, he must be very fast. Only the water still causes him difficulties, it confuses him so much.

Wolfman instantly appears from behind some trees where he is reputedly abused by armed Japanese army tanks, he allegedly flees and later battles Baragon at a burning construction site.

A struggling actor finds a lump on his testicle and is forced to confront his life choices.

A naive reporter discovers that it doesn't take superpowers to make a hero when she comes face-to-face with a mysterious do-gooder.