Children of the Night

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

La Fantasía de Memo Luna

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

Robert Donnell is a man with an unusual occupation. He is the Carilloneur in the Dominion of Canada Peace Tower in Ottawa. Unseen to the visitors , he serenades them from his room high in the tower with 53 carillon bells ranging in weight from ten pounds to eleven tons.

Documentary talking about bravery in the context of Green Lantern, the hero, and the Green Lantern Corps.

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

Haskell Wexler revisits the themes of his previous work "Medium Cool" on the occasion of the Occupy demonstrations in Chicago in 2012.

Stan Lee and Len Wein talk about X-Men & Wolverine.

Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.

The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.

A documentary that follows the recording process over three days and nights of "(I'll Love You) Till the End of the World" by Nick Cave and the Bad Seeds. A new version of the documentary appeared in 2005, and on the 2019 Criterion release of Wim Wenders' film UNTIL THE END OF THE WORLD.

Documentary which delves a bit deeper into the story of the film in which the cast and crew discuss some of the narrative beats, the performances in some of the scenes, how true-to-life the depictions were and more.

People of different age, profession and social status answer two simple questions: who they are and what they want from life.

About the nurses who used their professional skills to murder the handicapped, mentally ill and infirm at the behest of the Third Reich and directly participated in genocide.

Bryce Dallas Howard, J. A. Bayona, Colin Trevorrow, Chris Pratt, and Jeff Goldblum chat about all things Jurassic.

By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.

A documentary about the life of Jewish children forced to live in the Theresienstadt concentration camp.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.