The Gods of Our Fathers

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.

A convicted felon builds a feminist movement from behind bars at an all-male prison in Soledad, California.

Social media superstar Qandeel Baloch pushed boundaries in conservative Pakistan like no other. In 2016, high on her newfound celebrity, Qandeel exposes a well-known Muslim cleric – with tragic results.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

The story of those Italian women who, for eighty years, have fought against power in all its forms.

Afrique-France : le divorce ?

Kim, a Duluth, MN mother of three, is at the center of this compelling exploration of gender violence. As Kim and her daughters flee to a domestic violence shelter, we follow the harrowing struggles in a single-parenting survivor's quest to find work, housing and peace of mind. This multi-level narrative also examines the causes of domestic violence and solutions that have evolved to stop it.

Caste Aside is a documentary about the British government's controversial decision on whether or not to introduce legislation against caste discrimination in the UK. Highlighting both sides of this heated debate, the documentary speaks to Dalit rights activists, Hindu community leaders, academics and lawyers, as well as those who say they have been discriminated against on the basis of their caste - here in Britain.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

We Iranian Women

Manly Feelings is a short film by Chris Blom, about the difficulty that many men face while experiencing, expressing, and sharing the difficult emotion of sadness. The film lingers in this place of difficulty through interviews with men, supported by metaphorical imagery.

Jaime and Pablo explore and work on their identity by telling us about their experiences and participating in a masculinity theatrical laboratory where we will discover the conflict that led them to question their masculinity. This conflict forced them to question the games they taught us as boys, proposing different games where we learn to care for the people we love.

When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.

The collective of antipatriarchal men is a political organization that, since 2010, organizes spaces of group self-reflection to problematize the role of masculinity for those who identify as and/or are read as men. This documentary was filmed around one of their yearly regional forums.

Radical feminist Andrea Dworkin's expose on the pornography industry.

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to villages in the absence of men? Sent Away Boys weaves together stories of individual ambitions and family biographies from Punjab (India) to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how young men's decisions to emigrate implicate families and communities across North India.

A documentary that brings together interviews with 20 activists who address the issue of intersectional feminism and patriarchy in Portugal.

In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.