Yakuza Ladies Revisited

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

Turbulent life of Kiwa, the successor of the most prominent yakuza in Osaka, the Domoto Clan.

Set 10 years after "Kids Return." Shinji and Masaru have graduated from high school with different paths in their lives. Shinji attempted to become boxer and Masaru a yakuza. They both tried to rise to the top of their respective fields.

Shimamura is a violent street thug who joins the yakuza & is merciless & unscrupulous on his rise, lacking any sense of either duty or chivalry. When imprisoned, he is repeatedly transferred from one prison to another, because no one can handle him.

When her crime boss husband is sent to prison, a woman assumes control of one of the most powerful gangs in Japan.

A Yakuza boss's wife and the widow of a rival crime syndicate's murdered leader bond over a common purpose: to seek vengeance.

The seventh movie of the series “Yakuza Ladies” focuses on a wife of a small Osaka family. She risks her life to protect her husband’s family and its members against much larger, more established organizations.

Yuki, the wife of a leading member of the Domoto family, must assume her husband’s role as a yakuza boss while he serves out a prison sentence. As she grows into her new role, she manages to assert control and increase the influence of her organization. But when her husband is released from prison, she finds him a changed man, lacking the character necessary to be a powerful yakuza leader. Conflict ensues and their marriage is challenged by a desire for power.

Upon the passing of the Sakanishi Clan’s boss, a fierce battle between his wife Hazuki and his disciple Terada breaks out. Will Hazuki be able to assume her husband’s position as the head of the established yakuza clan?

11th installment of the 16-film franchise.

When young protege Akira Kageyama is bitten by his dying vampire boss, Genyo Kamiura, he must get used to his new powers before seeking revenge.

Three male gangsters are forced by their boss into becoming a trio of female pop singers.

Recently released from prison for a murder sentence, a yakuza boss's wife leaves Hong Kong for a fresh start, but a betrayal leads to her return.

Kenta Kurihara (Tasuku Nagaoka) is sent to prison for battery. In his cell he is referred to as the "newcomer." Meanwhile, Kenta is bummed out with simple meal offerred in prison. The four other prisoners in his jail cell have no problems eating his food. On lunar new year's day the prison offers the traditional Osechi-Ryori dish. The inmates in the cell gather to play a game that has become an annual ritual. They compete for items from each other's dishes by boating about the most delicious things they have ever eaten. Shunsuke Aida (Motoki Ochiai) begins their game by talking about a dish which his mother made ...

An offering is passed repeatedly between a Japanese monk and a young novice as their relationship evolves from their initial encounter through their final parting.

A woman hired to tutor two orphaned children, Flora and Miles, begins to suspect that the little ones are being haunted by the ghosts of their previous tutor and her lover.

A modern day version of Henry James' classic ghost story.

Triptych (2020) is a homage to the the radical, political album, ‘We Insist!’ (1960) by the jazz musician Max Roach – the ideas of which prefigured the themes that became the Civil Rights and anti-apartheid movements. The catalyst for this film was the broadcasted portraits of figures such as Breonna Taylor and George Floyd, and the evident incongruity between the beguiling ordinariness of the images that represented them with the violent end we know they endured. Through a rare focus on portraiture, Akomfrah seeks to express the diversity of Black characters, characteristics and characterisations that should form the bedrock of any de-colonial or anti-racist future.