Painful Bliss: Final Twist

Taken out of the pages of history itself, this is the story of the sizzling love between Kenreimon-in of the Taira Clan and Yoshitsuné of the Minamoto Clan. When the Taira Clan had met ignominious defeat at the hands of Yoshitsuné, Kenreimon-in had jumped into the sea with her son, the infant Emperor, but only she had been rescued by Yoshitsuné. A rough-hewn warrior, Yoshitsuné had taken her by force until he awakened an answering love in the Empress with his chamber techniques.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?

Saori, who was sentenced to death, has escaped from prison! Detectives Narita and Yamazaki are in pursuit of Saori. As Narita tries to handcuff her, she slashes his arm with a hatchet hidden on her back, then escapes again. As she continues on the run, Saori continues to commit murder. Where is she headed? And what is her true purpose...?

As Japan is preparing to host the Olympics, a gang member wanting to go to America is sought after by the police after helping his friend conduct a robbery.

A new head nurse is assigned to an all female hospital dorm and she can’t wait to revel in her new found freedom as a newly divorced woman. Doctors, nurses and boyfriends are now all fair game.

The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.

Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.

After serving his sentence, Yakuza family member Toshin-gumi Umebayashi is released from prison. Toshin-gumi was already headed by the boss in the second generation of Shotaro, but Shotaro fell into a trap, he is manipulated by his sworn enemy Kanzaki-gumi. Kanzaki-gumi captures the Toshin-gumi oil fields mined by the first boss. Umebayashi explodes in anger and attacks Kanzaki-gumi, but...

The film depicts the daughter of a concubine of a political and business mastermind who is involved in a corruption scandal, and a woman who controls a prostitution ring.

A virgin, a married woman, a career woman, and the progress is made by combining the abnormal sex of each of them. This is Rumi Tama's first work in 1983, which can be called the Japanese version of the Decameron, and is a female writer who has made a point of creating enjoyable pornographic entertainment without logic.

The rise of the famed gambler.

A young samurai defends townsfolk from evil forces.

The story is about Nagatoshi, a handsome and sexy monk played by Kazuhiro Sano, who is struggling for the widow he loves. Foreshadowing the prophecy of the Great Kanto Earthquake, the film is a highly entertaining theatrical spectacle that depicts the human condition of a downtown area undergoing development and the efforts of men and women who rebel against it.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.

Sena has had a care-free deco-truck business, but one day, she receives a strange request by a cheap hoodlum, Takizawa, to carry a blind stripper, Azumi, to a certain location. She reluctantly accepts it, but yakuza members begin a persistent search for Takizawa, who turns out to have stolen their company’s money. Here comes the long-awaited new deco-truck series featuring the idol, Saori Hara, rolling down the highway on a ton of love, action, and steam!

Shimazu Clan's third-generation boss, Tetsuo Sakuragi (Yasukaze Motomiya), and his sworn brother, Kenichi Kanamori (Yoshiyuki Yamaguchi), are set to be released from prison. Although Sakuragi plans to personally welcome his brother's return, Eitoshi Kaji (Hitoshi Ozawa) advises against it. Sakuragi dismisses Kaji's concerns, but Kaji reaches out to Tomomatsu Miwa (Naoki Hongo) of the Miwa Clan for support in convincing Sakuragi. On the day of Kanamori's release, it is Kaji, not Sakuragi, who comes to greet him. Witnessing this, Kanamori’s reaction is…