The feature documentary The Fair Trade tells the story of Tamara Johnston who, devastated by the tragic death of her fiance, makes a bargain with God in exchange for a meaningful life. She and her twin sister Shelby join forces with brother-in-law Steven to start one of the first fair trade skincare companies—Anti-Body. Even as Tamara becomes a successful activist for human rights and social justice causes, despair over her loss remains unabated. As she nears the deadline of her bargain, a trip to Africa allows her to visit the fair trade co-op from which Anti-Body buys its organic shea butter. There, she finds a surprising answer to what is required of her in exchange for a sustainable life.
A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the race is over, police officers run onto the infield. The crowd moves around.
How do we live, knowing we are going to die? In search of answers, we probed the minds of atheists, Buddhists, Jews, Christians, physicians, philosophers, authors, academics, a legendary stand-up comic, and scores of random pedestrians.
They are some of the biggest pyramids on the planet, millions of tons of stone and earth towering above the landscape in a display of massive wealth and power. But it wasn't the pharaohs that built these pyramids. This is the majestic ancient city of Teotihuacán, Mexico, home to one of the most powerful civilizations of its time. But why, around 750 AD, did the advanced civilization that created Teotihuacán suddenly vanish? The identities of its founders, the language they spoke and even the original name of the city are all unknown. DNA analysis of bodies from Teotihuacán shows they weren't Mayan, Incan or Aztec, but an entirely different civilization. It was assumed to have been a peaceful, utopian society, but the latest discoveries are revealing a much darker scenario. In the depths of Teotihuacán's pyramids, experts have uncovered vault after vault filled with curious human remains.
We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.
Join our fiendish host, Dr. Vincent Van Gore, as he leads you into the forbidden world of the dead. Only the nastiest car accidents, suicides and murders are here; faithfully and explicitly documented through actual crime scene investigations by police and emergency response teams from around the world. Everything you see is real; nothing has been faked. There are no boring autopsies or old World War II footage. Only the best and bloodiest corpses killed within the past 10 years are good enough to become the FACES OF GORE! If you cannot handle smashed brains, bug-eyed corpses and char-boiled fetuses, then DO NOT WATCH THIS DVD! Nothing you have ever seen before can prepare you for this breakthrough new horror film by TODD TJERSLAND, the Visionary Overlord of American Horror!
Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.
Explores the realities of death-row inmates inside Huntsville (Texas) Unit, a prison with the highest number of executions in 1997. Features interviews with prisoners, guards, officials, lawyers and victims' family members.
My mother will die. Jutta interprets the diagnosis of an incurable cancer as a spiritual crisis. Accompanied by Rainer Langhans, to whom she has a deep friendship since over 40 years, Jutta travels to India and goes on the search for a healing experience from within.
This feature-length documentary embarks on an adventurous journey to questions about death and the fear associated with it. Through Jaroslav Dušek's acting guide, he explores how we can use and control people's behavior through fear of death. The film looks at various cultural approaches to the topic of death, including those that do not perceive death as a scarecrow. Modern science, like traditional wisdom, offers alternative perspectives on death that can change our understanding of life. Through the personal stories of people who have overcome their fear of death, the film shows us that our approach to death can affect the quality of our lives.
Jon Richardson, one of Britain's most cautious men, is sent on a mission by his wife Lucy Beaumont, to investigate the things they are most scared about.
After the death of his grandmother Emma, Robin Hunzinger and his mother Claudie find a carefully preserved collection of letters which Emma received from a girl called Marcelle. In the 1920s, Emma and Marcelle met at school in Dijon. Secretly, love blossomed between the two teenage girls, but after two years they parted ways. Marcelle developed tuberculosis and was admitted to a sanatorium. Complementing the sparse photographs of the women, Hunzinger combines archive footage, avant-garde films, and music to create a sensuous, poetic atmosphere.
Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?
Bay Area rapper Mac Dre began his career at 18 and quickly became an influential force in early west coast hip-hop. In 1992 he was convicted of conspiracy to commit bank robbery when his lyrics were used against him in court. He left prison with a new lease on life, founded an independent record company, and then was murdered just when he began to emerge as a star. For the first time ever, his mother Wanda reveals the true experiences of a hip-hop legend.
Filmmaker Maarten de Schutter attempts to reconstruct the lost memories of his mother, AIDS activist and feminist anthropologist Martine de Schutter. Ten years after she was killed, he explores her life and their relationship in order to thoroughly connect with what is left behind. The film is a disassembly of memory, motherhood and loss, driven by the infinite love between mother and child.
Veterans of the Vietnam War tell about their experiences. The disasters but also the glorious moments of war. The central figure in the documentary is the scenario writer of Full Metal Jacket, Michael Herr. The veterans describe how it felt to kill for the first time and how those feelings still haunt them.
LSD Guru Tim Leary teaches us all to die by dying himself in what he calls his "custom death". This documentary deals with Mr. Leary's last days, all captured on camera by his own request.
Memento Mori is a morbidly beautiful journey into the world of alternative post mortem arrangements and an illuminating meditation on death, dying and our relationship with our bodies once they are no longer ours.
As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament. A devoted young mother, her life was right on track until her husband found her dead. Filmmaker Andy Ostroy has been fighting to discover the truth about his wife’s death ever since.
Hosted by Damon Fox, this documentary takes us on a grim dive into the world of the coroner and what they see in their line of work.