Christian knows what is important in life. At the age of 19, he knows how to be successful. He feels superior to his best friend, a dreamy music student, but also to his lazy brother. Then he meets Maria, who lives in a shack and makes no secret of her chaotic lifestyle.
Six strangers are sitting in a conference room. They’re in a focus group, but how much is there really to say about yoghurt? There’s so much more to discover about each other.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Misty Luggins sets a trap for the Bad Guys, but they were already caught and in custody for another crime; stealing a push pop... allegedly.
Jorge loves his father. His father loves a chicken. Jorge doesn't like the chicken and wants to put it in a chicken coop. Before he can build this chicken coop, Jorge has to obtain a building permit. It's difficult to get one when your garden is in Flanders and you don't speak Flemish.
A juggler in a park opens his magic box and takes out 3 balls. The audience marvels at his dexterity, until one ball escapes. The mutinous ball takes on magical properties as it draws the juggler into a series of adventures with many levels of meaning: appearance, fantasy and love. Without words.
Chris is bringing his résumé to a summer job interview. Dylan is grabbing beers for a party. When the two boy's identical bags get switched, chaos ensues.
Piotr and Alina are 30-year-olds in a big city, trying to make their dreams come true. Alina earns money in a casino so she can work as a director. Piotr works in an alternative radio station, co-organizing aid for the Belarusian opposition. The day of their engagement is supposed to be a joyful meeting of two families and two generations. However, a series of coincidences causes the family celebration to turn into a confrontation of attitudes and views. Do their families have more in common or more in common? Alina and Piotr must decide what is most important to them in life and what their "new way of life" should really look like.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
A young man, down on his luck, finds a mysterious bottle. The contents of which can grant him anything he desires.
A lowly young trophy shop employee who has never won anything other than a participation ribbon, is in love with his manager and stages a robbery to try to prove to her that he is in fact "a winner."
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Socially awkward Muriel Heslop wants nothing more than to get married. Unfortunately, due to her oppressive politician father, Muriel has never even been on a date. Ostracized by her more socially adept friends, Muriel runs into fellow outcast Rhonda Epinstalk, and the two move from their small Australian town to the big city of Sydney, where Muriel changes her name and begins the arduous task of redesigning her life to match her fantasies.
Three generations of women deal with family secrets while surviving the east wind, fire, insanity, superstition, lies and even death.
A comic morality tale about two cocky young lesbians who bite off more than they can chew at a Texas roadside diner.
Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn't ready to die, and that his body has been cremated. A new body must be found, and that of a recently-murdered millionaire is chosen. His wife and accountant—the murderers—are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl.
As graduation draws closer, a college student finds herself torn between a stable job and her passion and field of study: being a clown.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.
Three female employees of the Federal Reserve plot to steal money that is about to be destroyed.