In 1966, Heinz Sielmann sets off on his longest expedition. He spent 19 months traveling through the wilderness of North America. From the alligator swamps of the Everglades to the breeding grounds of arctic waterfowl.
Alien Sharks: Return To The Abyss
Sundance-and-Emmy-Award-winning filmmaker Judy Irving (with her first film since the widely acclaimed and loved “The Wild Parrots of Telegraph Hill”) follows a wayward California brown pelican from her “arrest” on the Golden Gate Bridge into care at a wildlife rehabilitation facility, and from there explores pelicans’ nesting grounds, Pacific coast migration, and survival challenges of these ancient birds, sometimes referred to as the flying dinosaurs. The film is about wildness, and asks the following questions: how close can we get to a wild animal without taming or harming it? Why do we need wildness in our lives, and how can we protect it? PELICAN DREAMS, stars “Gigi” (for Golden Gate) and Morro (a backyard pelican with an injured wing).
Ohrozené krídla - Miznúca krajina
Why do goshawks, deer and wild boars have spots and stripes when they're younger? Observe firsthand how animals use body markings to survive.
Výři
Ostrovy milionů ptáků
Baby cougars and how they grow up.
The island of New Guinea is the setting for this film, which focuses on the landscape, the life of the Papuans and their ritual festivals and spirit dances. The colorful birds of paradise are the pride of the islanders. Among the more than 40 species, the smallest, the "Little King" with blood-red plumage, can also be found on the island.
Eugen Schuhmacher focuses on endangered and rare animal species such as the European bison and the Northern bald ibis as well as the general fauna of the diverse and species-rich continent of Europe. The need to protect nature and animals is made impressively clear through the power of images.
Píseň lesa
Images from across the town of Laramie Wyoming.
Píseň léta
Krásná vlast
An introduction to the wildlife, particularly in swampy areas.
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
Pták roháč
Luňáci a černí čápi
Na bílých křídlech
Díváme se do vody