Tony and Freddie, who have been rivals all their lives, vie for the hand in marriage of their childhood sweetheart. Big Freddie has the upper hand when Tony gets himself kidnapped by a ring of muggers whose M.O. is to have one of their members dress up as a woman to lure men into the back seat of their limousine, where they are beaten up and robbed.
When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.
Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.
A propagandistic view of the First World War, showing the political greed of the German Kaiser Wilhelm, the resistance of some of his own soldiers, and fanciful prediction of the nature of the war's end.
A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.
Cult director Charles Band brings you this "Last Tango in Paris" spoof with editing by acclaimed filmmaker John Carpenter.
A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."
Based on a the horror novella of the same name. First Russian horror film.
Taku and Takehisa get off at a small station in the mountain gorge. The two of them have decided to die at the mountain temple where they had their first time...
Gold miner Edd Denmeade loves Lucy Watson, the sister of the official mining claim recorder. Denmeade suspects Watson of killing his father, who after a poker game was shot by a gambler "who shuffles with one hand." The real murderer, Sam Spralls, has convinced Watson that he killed Denmeade and threatens to expose him unless Watson assigns him all the gold claims. Spralls assembles a band of killers to jump the claims when Watson complies. Eventually, Denmeade learns the identity of the killer when he sees Spralls shuffle a deck of cards. He forms a vigilante party and rids the community of Spralls and his gang.
Pauline Cheraud risks her reputation to expose the man who killed her father.
An aging Casanova, long dead, is resurrected when factory heiress Susanne Hilmer’s longing brings him back as the modern “Knight Heinrich Holanden,” only to trail a trail of broken hearts, from Susanne and her sister Margarete’s suicides to would-be lovers Ninette and the Countess, before he’s grievously wounded and cared for by the pure-hearted Baroness Livia. When Livia, the only woman he ever truly loves, takes her own life in shame, Casanova, heartbroken, returns to his tomb, closing the door on his final, unfulfilled passion.
Harlander, a media mogul and war profiteer, has been told that he has six months before his sanity will leave him completely. He hires a young nurse, and decides to spend all his money before his six months are up.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Gerald Faulkner, a young tin-can salesman, has fallen for sexy chorus girl Carlotta La Mere. One day Gerald's wealthy uncle Dunley makes him an offer: if he gets married by the following Saturday, Dunley will give him $100,000. Gerald rushes to propose to Carlotta, who agrees. However, the day before the wedding she asks for a postponement. Complications ensue.
Impresario Thomas Sullivan arrives in Ossawatomie, Kansas, to debut a new musical show written by local boy Gene Harris. After auditioning with a song by her bookkeeper boyfriend Brian McBride Sullivan hires Millicent Lloyd and takes her to New York City, where she becomes a famous singer. Brian, arriving in the city with a new opera, keeps his presence secret from Millicent until he has achieved success. But Harris suffering writer’s block steals Brian's work and presents it to Sullivan as his own. With the help of music publisher Gus Hertz, Brian exposes Harris and reclaims his composition. He and Millicent are reunited, and the opera goes on to enormous success.
Claire, the wife of a bank teller, has a liason with a mysterious stranger while her husband is away.
Nell Bradley, the daughter of a wealthy bootlegger, who is encouraged to improve herself through education by Reverend Charles Alden.
A student nun falls in love with a Mexican singer starring in a cafe next door to her convent. Spanish version of MGM's Call of the Flesh.
Princess Cecelie of Capra, a small Alpine nation, visits the U.S. with her mother, Queen Charlotte, and becomes enamored with Jazz Age culture. The princess refuses an arranged marriage with Prince Boris of Dacia, unaware that they have already fallen in love during a chance meeting.