The Red Arrows

Society has created a stereotype of the LGTBQ collective in which its members are young people who are fashionable, who have money, who have a lot of fun and who never pass the age of forty. But where are the older ones? When they reach that age, do they evaporate? This documentary makes visible a little-discussed topic: old age.

Too hot! The spawning fish do not come at the right time and the pepper plants end up dying in this heat. "This is a very different weather that not even the spirits can understand." From their gardens, homes, and backyards, the indigenous women of the Amazon involve us in their vast universe of knowledge while they observe the impacts of climate change in their ways of life.

Not so long ago there were monumental movie theaters in the streets and avenues of Madrid, the capital of Spain, authentic cathedrals erected during the golden age of film exhibition, now converted into 3D dinosaurs, whose remains speak of the past and somehow anticipate the future.

A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

A portrait of Łódź, Poland that exists in a time-warp of sad memory.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Immigrants from Sub-Saharan Africa have chosen to start their lives over north of the 49th parallel. Here, in the vast expanses of Northern Canada, they reflect on the challenges and splendors of a season they’ve never yet experienced: winter.

Manuel is only 11 years old, but he already works on a sugar cane plantation located in northeastern Brazil. His father and older brother are also employed here. Manuel works on a huge roller that is used to press out the sugar cane. His friends transport the squeezed sugar cane away, dry the remains on the farm or help transport the cut cane to the mill. The film shows Manuel's daily work and describes the different steps of sugar production on the plantation. Manuel hopes that his younger siblings will soon be able to help, because although Manuel contributes to the family income, it is often not enough to feed the family of nine.

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.

Dialogue-free short detailing the daily tasks of a man and his wife.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

A short documentary that tells the story of queer artist Heather Spooner and the adult pen pal program she created during the pandemic, featuring the poignant and humorous stories of connection and humanity that came from it.