Legendary masked wrestler El Santo must stop a criminal gang.
A young man who comes from a luchador family but has forsaken the family name and mask tries to follow his own dreams only to be brought back into the fold by a dark and mysterious shadow who hurts everyone close to him to get what he wants.
Santo goes to Ecuador to sit in nightclubs and watch stage shows, also to crack a counterfeiting ring.
El vampire y el sexy (or Santo in the Treasure of Dracula in its censored version) is a 1968 Mexican film starring El Santo and directed by René Cardona. The Vampire and Sex was filmed as the adult version of Santo in the Treasure of Dracula. While the censored family version was distributed in 1969, the uncensored version was not shown to the public until 2011 when it was discovered.
Wrestler vs. organized crime.
An evil space vampire arrives on Earth with his army of alien midgets seeking a cosmic princess who befriended a couple of lucha wrestlers.
AAA Héroes Inmortales XII
A group of international criminals steal a large emerald from a heavily guarded Colombian mine and they plan to sell it on the black market. Unfortunately, the evil Dr. Igor is also manipulating other criminals, as well as the ones who stole the emerald, for his own benefit. Santo, a Mexican wrestler/Interpol agent works with the Colombian authorities in an attempt to recover the emerald and to stop Dr. Igor and his subordinates, as well.
Santo goes up against the vampire Baron Brakola, who has returned to seek vengeance on the descendants of the Knight in the Silver Mask (Santo's colonial era ancestor).
Santo fights a group of phony spiritualists who are trying to scam his god-daughter out of her 6 million peso inheritance.
In the far east the star of great power is stolen by an ambitious woman, who was jealous of the jungle girl who was sent by the gods, also succeeds in kidnapping her. This mission will only be solved by Santo, the masked man of silver who will have to save the girl and recover the star to return the tranquility to the town.
Santo fights diamond smugglers.
Santo battles the Strangler.
An evil priestess and her twin sister battle for control of a powerful crystal.
Masked Mexican wrestler and superhero Santo plays private investigator, called in by government officials to investigate the mysterious vandalism of a high profile painting. With the help of his two counterparts, he uncovers the truth behind an art collector/chemist who may be murdering female models.
Innocent women are being kidnapped and used as guinea pigs for a brain transplant experiment. The diabolical Dr. Frankenstein continues his quest to perfect his brain transplant operation to bring back his deceased wife at any cost - even if it means playing with the lives of others. El Santo and Blue Demon are called in to help when their friend Alicia becomes Dr. Frankenstein's next target. It'll take both heroes to go up against the dastardly doctor and go mano a mano with his super strong zombie Golem.
The Magnificent Beast (Free Fight) is a 1953 Mexican film. It was directed by Chano Urueta. The first film of the Luchadores genre.
At the dawn of the Second World War, Nazism was extending its grip over South America. The Golden Angel, a Mexican masked wrestler, was recruited by the Americans in order to flush out the spies of the Third Reich and put a stop to their nefarious schemes. The Golden Angel’s assignments, still classified Top Secret and therefore absent from the history books, even brought him to a pivotal confrontation with Hitler himself. Inspired by the spirit of classic mockumentaries such as Woody Allen’s ZELIG and Peter Jackson’s FORGOTTEN SILVER, the film takes viewers on a unique version of the fight against the Third Reich, joyfully erasing the border between fiction and reality for the viewers who, taken on this unique ride, can’t help but ask: did this really happen?
The Blue Demon faces a murderous satanic hypnotist.
In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.