The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
Racial tensions come out of the woodwork when an upper-class white couple puts their suburban home on the market and the listing draws a pair of equally well-to-do African American buyers from Harlem. Fielder Cook directs this Broadway staging of playwright Arkady Leokum's exploration of lingering racial prejudice in 1970s America.
On a distant island a man waits. Robbed of his position, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm he wrecks the ship and washes his enemies up on the shore. When they wake they find themselves lost on a fantastical island where nothing is as it seems.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. War Horse received its world premiere on October 9, 2007 at the National Theatre in London, UK where it played for two seasons before opening at the New London Theatre in London, UK in March 2009, and was later made into a 2011 movie. Since then, the stage play has been seen in over 100 cities in 15 countries, including productions on Broadway, in Toronto, Berlin, and Australia, with touring productions in the UK and Ireland, North America, the Netherlands, and Belgium.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".
A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
Written by Colm Toibin, Pale Sister is a powerful retelling of the classic tale of Antigone. Lisa Dwan stars in a tour-de-force performance directed by Sir Trevor Nunn.
A group of strangers grapple with this impossible question as they find themselves in a bureaucratic waiting room between life and death. Encouraged by enigmatic officials, they must sift through their past lives to choose their forever. Adapted from Hirokazu Kore-eda's award-winning film, After Life is a surreal and powerfully human look at the way we view our lives, and a haunting meditation on what it is to live – and to die.
The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
Josie Rourke directs Gemma Arterton as Joan of Arc in Bernard Shaw's electrifying classic. Performed at the Donmar Warehouse, and part of the NT Live series of broadcasts.
This absorbing 1976 production of dramatist Sidney Kingsley's historical play centers on the formative days of the United States and the disputes between founding fathers Thomas Jefferson and Alexander Hamilton. Although the two men greatly respect each other, the deep-seated clash in their ideologies engenders conflict just as the fledgling country is beginning to take root.
Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.
Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.
Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.