Sty of the Blind Pig

From The Public Theater’s Free Shakespeare in the Park at The Delacorte Theater in Central Park, experience this Shakespearean classic directed by Tony Award winner Kenny Leon featuring Tony Award nominee Ato Blankson-Wood (“Slave Play”) in the title role and Solea Pfeiffer as Ophelia (“Hadestown”).

In 2008, as the Large Hadron Collider searches for the Higgs boson, tragedy throws two sisters together. The collision threatens them all with chaos. Olivia Colman and Olivia Williams play the sisters in this drama from writer Lucy Kirkwood.

Adaptation of Arthur Miller's play.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

Britain is locked down. Michael and Delroy are dealing with issues closer to home. During an explosive afternoon in Delroy's flat, they are forced to confront their relationship with their country – and with each other.

Created from five years of interviews with 12 young people from across the UK, Our Generation is a captivating portrait of their journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager. Writer Alecky Blythe (London Road) brings her new verbatim play that tells the stories of a generation. Daniel Evans makes this directorial debut at the National Theatre. A production from National Theatre and Chichester Festival Theatre.

At the beginning of the 20th century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, Austria. But Hermann Merz, a factory owner and baptised Jew now married to Catholic Gretl, has moved up in the world. We follow his family’s story across half a century, passing through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and the Holocaust. A company of 40 actors represent each generation of the family in this epic, but intimate play.

Fresh to the throne, King Henry V launches England into a bloody war with France. When his campaign encounters resistance, this inexperienced new ruler must prove he is fit to guide a country into war.

Embark on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England. The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.

The story of Margo Channing. Legend. True star of the theatre. The spotlight is hers, always has been. But now there’s Eve. Her biggest fan. Young, beautiful Eve. The golden girl, the girl next door. But you know all about Eve…don’t you…?

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

This musical adaptation of the Studs Terkel book examines the average worker's viewpoint--showing that he or she is anything but average. Based on a series of interviews with real working people--construction workers, waitresses, firemen, secretaries, and cleaning women, Working is both an exploration of the individuals' occupations and a lament for lost hopes and dreams.

‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.

On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.

New York, 1930. Following a decade of creative explosion, the Harlem Renaissance is starting to feel the bite of the Great Depression. In the face of hardship and dwindling opportunity, Angel and her friends battle to keep their artistic dreams alive. But, when Angel falls for a stranger from Alabama, their romance forces the group to make good on their ambitions, or give in to the reality of the time. Lynette Linton directs a startling revival of this extraordinary play by Pearl Cleage.

The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.

Julie Harris performs her one-woman show based on the life of Charlotte Brontë.

A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.

A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with a former RAF pilot and the breakdown of her marriage to a High Court judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.