Mujhse Dosti Karoge!

Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

A young boy. A quaint hilly town. Everything that can go wrong will go wrong. Perhaps, that is what metamorphosis needs. Syaahi is a coming of age story of a young boy, portraying seemingly simple events of childhood.

Veer Vs Heer

The film is about the journey of a person and is narrated in three parts from the lens of the protagonist: when he is a teenager, when he is 28 years old, and finally when he is 38. The three periods are synchronized to take place during pivotal movements: first, in 1999, when the first-ever gay pride parade took place in Calcutta, followed in 2009, when the Delhi HC decriminalized homosexuality, and in 2019, a year after the Supreme Court struck down the law that criminalized gay sex throughout India.

It's love at first sight for Anjali and Jai Walia. However, after Anjali gets an anonymous tip-off about Jai's alleged infidelity, cracks begin to appear in their once happy marriage.

A man gets stuck in an empty high rise without food, water or electricity.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

A naive bullock-cart driver falls for a traveling dancer.

At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

It's the story of a boy who finds enlightenment by experiencing religious hipocrisy and dogmatism. Dnyaneshwar liberated the "divine knowledge" locked in the Sanskrit language to bring that knowledge into Prakrit (Marathi) and made it available to the common man.

The story is about a priest, Father Ferriera, who unwittingly becomes a witness to the rape and murder of a village woman by the rich man of the village, Chandulal Seth. Father Ferriera is framed for the crime by Chandulal Seth and is sent to the jail instead. During the jail time spent Father Ferriera develops a good friendship with some of the jail mates. On release from the jail, he along with his former jail mates decide on taking revenge with Chandulal Seth who is now one of the richest jewelers of the world.

Vikram (Mohammad Iqbal Khan) and Ajay (Anuj Sawhney), and an accomplice, John D'Souza (Paresh Rawal), become prime suspects, and are on the run. They must apprehend Chindi and recover the crown to absolve themselves of this crime. While being chased by security guards, the trio crash into a wall, and are transported back to the 10th century, straight into the palace of Emperor Babushah himself.They realize that only a miracle can get them back to the 21st century.

Rooh Baba ventures into a haunted mansion in the kingdom of Raktaghat in West Bengal, where he confronts two vengeful spirits, both asserting to be Manjulika.

Chandramukhi, the city educated daughter of the village zamindar returns to Ramnagar, a typical village. There she meets her childhood friend Birju aka Brij Mohan. He has a lovely voice and she encourages him to pursue singing. Eventually Brij and Chandramukhi fall in love, but Chandramukhi's father cuts it abruptly and sends her to Lucknow. A short while later Brij arrives at Lucknow. Gitanjali, Chandramukhi's friend, is thrilled by his voice and helps him get a job at Aakashvani through her father. Brij returns to Ramnagar to ask Chandramukhis hand in marriage but is once again rebuked. He returns and goes on to become a great singer in Mumbai with Gitanjali by his side. All through he yearns for Chandramukhi as she yearns for him. How he manages to marry her forms the rest of the story.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.