In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
Short film about the Austrian diocese of Sankt Florian near Linz.
During a lunch break in a furniture store, a sadomasochistic stand-off unfolds between a boss and her employee.
A trance film meditation on childhood and fire that uses 16mm found footage.
The year is 1941. Two Investigators are doing research on an old well. One of the gentlemen climbs down the hole and then they communicate through a military phone. But something is strange, the place, the hole, and then the phone...
This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.
Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
A documentary about artist Zdenko Buzek.
Justine doesn't speak. She communicates through looking, gesture and the body language of her movement and interactions. Justine observes the rhythms of her day, giving a unique portrait of the experience of a vivacious young woman living with severe neurological disorders. Justine survived a harrowing breakdown as a child but her medical condition is not the subject of this film, which instead gives a sense of her extraordinary life and experience in the rhythms of an ordinary day as she turns 18. Justine's parents tenderly build close family bonds to sustain their youngest daughter. They speak perceptively and movingly about their daughter and sister. Meanwhile, cuts to the UK welfare system endanger the family's hard won achievements, and raise questions and fears for her future.
An incident from the early days of Québec's quiet revolution, tailor-made for the cartoonist. It is the story of a Montréal commuter train, a unilingual ticket collector and a bilingual passenger. The passenger appears on screen himself to describe his bid to have tickets requested in French as well as in English. What ensued, and how even the railway president became involved, is illustrated with wit and humor.
Steve is an upwardly mobile entrepreneur who believes he has come up with the next big thing - the next Rubik's Cube. "It's going to be bigger than Betamax!". The film covers his journey home from a super successful day at the office where he's all but closed the biggest deal of his life. Just a couple of mobile phone calls on the way home and it's in the bag. However, as he races back to celebrate with his wife and kids, we witness his fall from apparent certain victory to increasing infuriation - everyone's suddenly stopped taking his calls. His anger and desperation boils over when he can't get anyone on the phone....not his secretary, his investors, or his wife. All the while, the Zombie Apocalypse is happening around him; he's just too self absorbed to notice it... until he gets home.
Bringing offerings of rice, flowers, and woven coconut leaves, clients visit Jero in her household shrine to determine the cause of their son's death. Jero lights an incense brazier, sprinkles holy water, and recites mantras as preliminaries to trance. Several ancestors and finally the young son speak through her voice, revealing the nature of his premature death (witchcraft) and his wishes for cremation. In contrast to other films about Balinese trance which focus on spectacular, community performances, this film provides an intimate view of a fascinating process of communication between Jero, the spirits, and her clients who are at one point moved to tears. (der.org)
This documentary about the 70s porn legend attempts to verify his existence as there are practically no Asian male porn stars in the history of American adult cinema. A controversial mystery akin to Bigfoot and alien abduction, Dick Ho was so well endowed that rumors arose of a conspiracy within the porn industry to eliminate any knowledge of his existence. Includes alleged film footage and testimonials from porn veterans.
This film was made by Bass' company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men's and women's uniforms. But a great many of the design were adopted—including, most memorably, the telephone vans and hardhat designs of the 1970s. Bass designed down to the details, showcasing in this film a myriad of ideas, like Yellow Pages book designs, cufflinks for executives, and flags. (AT&T Archives)
Black Rain White Scars depicts a twilight of reality. With the steady shot of a Gotham-like cityscape, Lukas Marxt guides us between vestiges of visionary architecture and narrow planted apartment buildings. As we’re searching for our relational point within it, the overwhelming murmuring of the human, car, and boat traffic, at the same time marginalises our position. We are a part of the scenery, though secluded and apart from it.
In a 3D isometric view, a car journeys from one nightmare scenario to the next. A tribute to classic horror movies.
73.5% of Punjab's youth is addicted to drugs. A multi-million drug nexus is operating under the noses of the Border Security Force, The Directorate of Revenue Intelligence, The Narcotics Control Bureau and the Intelligence Bureau, leaving them as mere bystanders to Punjab's erosion. The yearly consumption of alcohol in Punjab makes the city's population one of the highest per capita consumers of alcohol in the world! The scenario in Punjab is deteriorating at such a rapid rate that experts have already begun to put an expiry date to the state.
A group of dead teenagers spending their after-lives in Limbo decides to wreak vengeance upon their killer by summoning him to the world of the dead.
Uterus
Espetáculo