Soho Conspiracy

A Musical adaptation of Sam Rami's Evil Dead performed in Montreal.

The Marx Brothers help young Broadway hopefuls when they get mixed up with gangsters due to a tin of sardines containing Romanoff diamonds.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

Joel Goodman is a hotshot advertising executive angling for a promotion, but he feels stuck - not least of all in traffic. A seeming answer to his prayers comes in the form of a homeless man whom Joel pays to sit in his passenger seat so he can use the carpool lane. The two form an unexpected bond, and Joel comes to realize that sometimes changing lanes can change your life.

The Lyric Opera of Chicago's 1985 production of Puccini's opera, set in the late nineteenth century in the city of Nagasaki, about a young Japanese woman who weds an American naval officer who later abandons her and the child she bore him.

A man falls in love with a woman from high society - but her father doesn't approve of their love.

1989 recording of the San Francisco Opera production of Mefistofele: Boito's retelling of Goethe's Faust

Sun Scream tells the comedic tale of a down-on-his-luck vampire named 'Pippin', and his last-ditch efforts to sell at least one bottle of sunscreen before facing the wrath of his ferocious boss 'Cy the Cyclops'. Luckily for Pippin, the truck of an extremely sunburned farmer breaks down in front of his stall on the hottest day of the year. However, 'Billy' ain't no bumblin' yokel, and Pippin will have to do everything in his power to prove his product will protect anyone, even a vampire, from the sun's deadly rays.

A filmed performance of The Rapture at the Bowery Ballroom in New York City.

A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.

Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!

When mob money is ditched during a police chase, three teens become embroiled with the BIG BOSS MAN. A wannabe roadman, nerd and flamboyant gay get tangled up in events with an old school gangster. A hybrid mixed genre of traditional gangster and modern comedy. Scarface, Pulp Fiction and Reservoir Dogs meets Sex Education, The Gentleman and Hot Fuzz. Cinematic, rooted in character, a nod to the past with a twist. BIG BOSS MAN is a modern take on the best of old gangster cinema.

John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.

An unconventional romantic comedy about a young American photographer and a French girl with a taste for the macabre. Paul and Paulette’s chance encounter on a Parisian boulevard sparks an unusual friendship that grows around a dark game; reenacting scenes of notorious crimes from bygone eras at the sites they occurred. As their morbid road trip approaches the more recent past it becomes more uncomfortable, blurring the lines between reality and fantasy, but finding a surprising joy in the darker corners of humanity.

A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.

"Jellicle" cats join for a Jellicle ball where they rejoice with their leader, Old Deuteronomy. One cat will be chosen to go to the "Heavyside Layer" and be reborn.

Francesco Cavalli's incandescent opera, where tragedy rubs shoulders with comedy, and burlesque alternates with deep emotion. Max Emanuel Cenčić directs a lively production, drawing on the codes of commedia dell'arte. This game of love and chance combines passion, betrayal, and power struggles. The countertenor takes on the title role, while Leonardo García Alarcón conducts the Cappella Mediterranea.

On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.

A young lifeguard gets more than he bargained for on his first shift

St. Margarethen is a magnificent structure and a grand setting for Nabucco. This venue, along with the gorgeous costumes, spectacular lighting, lasers and pyrotechnics made for one grand, five star production! This is reason enough to see it and it must be an advantage to view it on DVD.--It would probably be harder to digest the whole spectacle if you were actually sitting in the audience, as there is so much to take in. The whole cast was in great form, both in singing and acting. Simon Yang as Zaccaria and Igor Morosow as Nabucco were excellent. Gabriella Morigi was a convincing Abigail who got better and better. Bruno Ribeiro as Ismaele and Elisabeth Kulman as Fenena were great, too.