Il était une fois notre planète
Made on a shoestring budget, François Ruffin and Gilles Perret’s investigative documentary has the adventurous spirit of a road movie. Intimate and sometimes humorous, encounters with yellow vest protestors pierce through reports of violence and destruction, revealing a collective desire for equity.
Votez Cindy !
Rodin: A Modernist
The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.
“We’re beautiful, the whole gang. We’re special,” says Jean of the 15-odd employees at The Artisan—a workshop employing people with intellectual disabilities. Jean is the self-described “handyman and best-looking” member of the group. A moving celebration of difference, The Artisans captures daily life at an organization where the workers are as courageous as they are colourful.
Je ne suis pas un singe
Overview of the history of cinema in Flanders.
Guadeloupe, l’île Papillon
La Rivière
L'Extrême Droite dans l'Histoire : Du général Boulanger à Jean-Marie Le Pen
Stallone, profession héros
Le point de vue du lion
Humboldt et la redécouverte de la nature
Rouge ! L'Art au pays des soviets
Le Pigalle - Une histoire populaire de Paris
Bob Denard, Profession Mercenaire
Sigmaringen, le dernier refuge
There are people in charge of managing someone’s front yard or the tomb, the branches of Han River, Seonyudo Park, and even restoring the damaged environment due to the forest fire in Goseong, Gangwon-do. They are landscape architects. Among those who offer a scenic and natural landscape to our life full of adversities, Jeong Yeong Seon, 82 years old, works today again as if she writes poetry on the ground for the next generation.
“I laugh out of life’s void” Korea’s very first hippie, Han Dae Soo, bursts out a laughter. Some musicians talk about love or hope, Han Dae Soo’s music roots in pain. His songs are about freedom even in the most oppressive circumstances. He prepares to release his last album in 2020. A master’s recording session is full of improvisation and energy. As a man of over 70 years old, his voice has gotten deeper and stronger with age. His is a husband and a father and a human dwelling upon the possibility of death approaching. As a youngster he exerted sharp criticism towards society, but on his last album it leans more towards reflection and regret rather than anger. Han Dae Soo tells us his last story strolling through the streets of Manhattan and Namdaemun. The aged hippie’s laughter still resonates with joy.