Elvis '56

Retrieved from archival footage, this documentary details the most tumultuous moments in the history of the infamous metal band 'Slaughtered Goat'...

Recorded live at Vega, Copenhagen, November 2nd & 3rd 2004. The intended release-date was 7th June 2005, hence 07.06.05 on the cover, but due to technical problems it was delayed.

The John Butler Trio: Max Sessions

If they miss The Beatles' first appearance in the U.S.A., they will hate themselves for the rest of their lives - so four young girls from New Jersey set off even though they don't have tickets for the show! The journey is full of surprises and misfortunes but the young ladies are determined to reach their idols.

Miklós Fenyö's parents returned to Communist Hungary in the mid sixties - when everyone else was fleeing to the West. Miki's old friends don't know what to make of his outrageous clothes, flawless American accent and collection of original Buddy Holly 45s. His childhood sweetheart is cold and distant while local tough guy Röné is unmoved by the challenger to his rock 'n' roll crown. But that's not all. When the authorities see the effect Miki's gyrating hips and lewd music have on teenage girls, they won't stand for it. His father's job is on the line, and, for the first time, Miki must play by the rules. He has no choice but to enter the local talent show...

A live performance by Radiohead of their 2007 album In Rainbows. This was their first of two full-episode performances, filmed at Maida Vale Studios in London, as part of the ‘From The Basement’ television series produced by Nigel Godrich, Dilly Gent, James Chads and John Woollcombe.

moe.: Live at the Fillmore is the first live concert DVD released by moe., an American rock band. It was recorded on April 2, 2005 at the Fillmore Denver in Denver, Colorado and released to the public on October 3, 2006. The unpredictable and innovative rock band moe. performs a spectacular concert at Denver's renowned Fillmore Auditorium. Songs include "Crab Eyes," "Moth," "Timmy Tucker," "Rebubula," "McBain," and more.

Light the Rock 'n Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame. Set in the hardships of North England's seventies working class society and music scene. This build-up from rags to riches is a parody of realism and grit, with double-dealings and harsh unforgiving dog eat dog mentalities, and the golden rule; if you play with matches then you're going to get burnt, in the flames of the music industry.

In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.

This documentary, made over a period of eight years, tells the remarkable story of an extremely influential rock'n'roll band. Starting from their mid-60's garage band roots (sounding amazingly like the Sonics), the Motor City 5 deveoped into an icon for a brand of loud, crushing music reflecting their industrial roots. Even if you don't care for their music (and you're bound to like even a few of their songs), their story is fascinating. It combines 60's protest, youthful braggadocio, and a style of music that would help carry one to the likes of Iggy and the Stooges (not to mention certain aspects of punk rock). This film is clearly a labor of love, combining extraordinarily rare live shows, still shots, a nearly-continuous backdrop of MC5 tunes, penetrating interviews with the remaining members and their spouses, and even FBI surveillance shots. It's the ultimate testimonial to a band that only gains in stature as time goes on.

Yet to fulfill their rock and roll destiny, the stakes are higher than ever for the now middle-aged Bill and Ted who set out on a new adventure when a visitor from the future warns them that only their song can save life as we know it.

Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.

The Flaming Lips recorded live at The Southgate House in Newport, KY in 1988.

In this film, childhood friends come face to face with the demons of rock and roll (lust, drugs, and passion) on a cross-country road trip that compels them to face their past, present, and future. Rocker Spyder, whose debut album was a huge hit saw his follow-on album bomb, causing him to retreat to his small hometown and give up. Seven years later, 27-year-old Spyder reconnects with his long-lost best friend and writer of his debut album Eric, son of a late great punk rock guitar legend, who has long settled into the sedate life of a suburban middle school music teacher. The reunion forces the two to recall their youthful ambitions and re-examine the choices they've made.

Taped for a two-part PBS Soundstage, Petty employs the Chicago locale as an entry into the blues and R&B that are at the foundation of rock & roll, and to a lesser extent, his music. This results in a fascinating and exciting show, where the extensive covers are just as interesting as -- and arguably more interesting than -- the few hits he gets around to playing.

A musical oddessy through the heart of Africa in search of the roots of Rock & Roll.

Rock 'n' Roll and the 1950's Vol. 2

Water on the Road is a film released on DVD and Blu-ray by American singer and Pearl Jam frontman Eddie Vedder. It documents Vedder's 2008 solo tour, during which he performed Pearl Jam songs, numerous covers, and solo works including songs from the Into the Wild Soundtrack. The film features mostly performances from two shows Vedder performed on August 16 and 17, 2008, at Warner Theatre in Washington, D.C. It was released on May 31, 2011.

Téléphone is a great success story in French rock: 300,000 albums sold in 1979. The group was born on December 16, 1976, at a surprise concert at the American Center in Paris. Four instrumentalists, four self-taught, four musicians untroubled by the successive waves of fashions from across the Atlantic and the Channel: Jean-Louis Aubert, singer and songwriter; Louis Bertignac, guitarist; Richard Kolinka, drummer; Corinne Marienneau, bassist. From titles: “Métro c'est trop”, “La bombe humaine”, “Crache ton venin”... Portraits and interviews, trances and crowd-pleasers at the Palais des Sports and the Fete de l'Humanité, a look behind the scenes. Jean-Marie Périer, with seven cameras in hand, now captures the phenomenon in a feature-length film. Camera movements, editing on a giant triple screen and Dolby Stereo sound all serve to highlight the quartet's harmony and vitality.

The Road Home was recorded live at the Moore Theater in Seattle, Washington on May 12, 1995. The concert emphasized acoustic performances of many of their songs including, surprisingly, Barracuda.This concert video is the companion to the 1995 CD of the same name, produced by Led Zeppelin’s John Paul Jones.