The Spirit of Charles Lindbergh

Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.

Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge part of their lives, but the lifeblood of their existence!

Soy

Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?

A group of teenagers from Flint, Michigan filmed themselves kidnapping and terrorizing a new acquaintance, before taking her out to a woods and dumping her in a shallow grave. They then taunted their terrified and blindfolded victim asking if she had any last requests before they cut her throat. But was the kidnap real or just a game? Three days later the tape was in the hands of the police and the 5 teenager friends were in custody facing life imprisonment. This program talks to the people at the heart of this story - including two of the defendants - in an attempt to understand what really happened in the woods around Flint last year. It also screens the video of the 'abduction'. What is revealed is an extraordinary and disturbing record of a night when something went terribly, terribly wrong.

As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.

In 1988, Keener's grandfather Charles took his video camcorder to Collinsville Trade Day to document the popular outdoor market for posterity. Twenty-six years later, Keener found the tape buried in a box in his living room closet. He took the liberty to edit this footage and the resulting film is a very personal collaboration with his grandfather about a small town’s culture.

An intimate, collaborative documentary told through the dual perspectives of Adam, a transgender teen, and his mother, visual artist Amy Jenkins, that offers an authentic and tender counterpoint to the hostility facing trans youth today. Adam’s journey balances the milestones of gender transition with the rhythms of adolescence. As Adam asserts his identity and steps out into the world, his parents grapple with the challenges of raising a teen while learning to let go. Through a visually poetic approach, the film transforms a deeply personal archive, collected over two decades, into a powerful, joyful testament to the beauty and difficulty of reckoning with profound change.

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also acts as a relatively complete biograph of Hearst's career.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

The film consists of video tapes made by the filmmaker’s father documenting daily scenes of family life, family celebrations, and holidays over the course of fifteen years. The tapes are a mixture of the personal and the political – the father was politically engaged in the revolutionary movement that brought Hugo Chávez to power. The family’s life becomes a backdrop for political and economic developments in Venezuela and their impact on the lives of ordinary citizens.

Número 98, casa

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

90's era home videos of a Mexican father starting a new life in the United States

An in-depth analysis of the "Video Nasty" scandal of the early 1980s in Britain.

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

An intimate, arresting portrait of cyclist Moriah Wilson—raised by a fierce, loving family—whose singular drive becomes her superpower, carrying her to athletic brilliance and, devastatingly, toward a life cut short by murder.

The rise to fame (and the near-fatal fall from it) of Patty Schemel, drummer for Courtney Love's seminal rock band, Hole. Given a Hi-8 video camera just before Hole's infamous Live Through This world tour, Patty captured stunningly intimate footage of the scene that has never been seen... until now. Not just an all-access backstage pass to the music that shaped a generation, Hit So Hard is a harrowing tale of overnight success, the cost of addiction, and ultimately, recovery and redemption.