Pacific Paradise

British R&B sensation RAYE, who topped the German charts with her hit "Prada" and earned a Gold certification for her second studio album in the UK, delivers an unforgettable live performance at London’s prestigious Royal Albert Hall. Featuring the complete set from My 21st Century Blues, this symphonic concert captures RAYE’s powerful voice and emotional storytelling backed by a full orchestra.

Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.

Popular crooner Russ Raymond abandons his career at its peak and joins the Navy using an alias, Tommy Halstead. However, Dorothy Roberts, a reporter, discovers his identity and follows him in the hopes of photographing him and revealing his identity to the world. Aboard the Alabama, Tommy meets up with Smoky and Pomeroy, who help hide him from Dorothy, who hatches numerous schemes in an attempt to photograph Tommy/Russ being a sailor.

For the New Year’s Concert 2018 world-renowned conductor Riccardo Muti returns to conduct the New Year’s Concert for the fifth time. He has conducted the Vienna Philharmonic for over 500 concerts, has a very close connection to the orchestra and is one of the most engaged New Year’s Concert conductors. Italian conductor Muti holds two music directorships: the Chicago Symphony Orchestra and the Orchestra Giovanile Luigi Cherubini. A prolific recording artist, Muti has received dozens of honors, titles, awards and prizes throughout his career.

The charismatic and inspiring Claudio Abbado and the mesmerising young pianist Yuja Wang, with the Lucerne Festival Orchestra, hold the audience spellbound in this opening concert of the 2009 Lucerne Festival. Prokofiev's popular and vibrant Third Piano Concerto demonstrates the composer's sharp musical wit, and Yuja Wang is a brilliant exponent of the work. Following this, and chiming beautifully with the festival's theme of the relationship between art and nature, Mahler's First Symphony is given an illuminating and rapturously received performance.

The documentary accompanied the work of the Simón Bolívar Youth Orchestra of Venezuela.

Vivaldi, Mozart, and Beethoven serve up an evening of glittering virtuosity and transcendent melody in this unusual, all-concerto program. Filmed at Tel Aviv’s Mann Auditorium in July 2015. Zubin Mehta leads the Israel Philharmonic Orchestra as they accompany three very different 18th-century concertos performed respectively by trumpeters Ram Oren and Yigal Meltzer, clarinettist Ron Selka, and pianist Khatia Buniatishvili. Set-List: Antonio Vivaldi, Concerto for 2 Trumpets in C Major, RV 537 / Wolfgang Amadeus Mozart, Clarinet Concerto in A Major, K. 622 / Ludwig van Beethoven, Piano Concerto No. 1 in C Major, Op. 15.

During the unique world tour of the RCO celebrating its jubilee in 2013 we meet musicians and concertgoers. The tour develops not just into a journey across the globe but also as a trip to the core of classical music, a quest for the palette of emotions which only classical music can arouse. In 2013 the Royal Concertgebouw Orchestra tours the whole world to celebrate its 125th anniversary: 50 concerts spread over 6 continents. Unbounded passion and love for music brings musicians and concert goers together. Documentary maker Heddy Honigmann lands with the orchestra in Buenos Aires, Soweto and St Petersburg and shows how the ensemble succeeds in gaining the hearts of people with a different cultural background. A journey to the kernel and the power of music which knows how to touch unexpected emotions and which helps to overcome the pain of living.

Set in 1947, Knights of Swing is a feature film that chronicles a group of young jazz musicians whose dream is to form a “really swingin’ Big Band”. Unfortunately, things prove much more complicated when the community objects to the diversity of the band. Alliances form, and lines are drawn. What follows is soul searching, uplifting, and through music, our story illuminates forgiveness, healing and unconditional love.

An aspiring conductor finds himself in his dream position, conducting an orchestra that doesn't exist.

ONE OK ROCK with Orchestra Japan Tour 2018 features the final performance of the special concert held at Osaka-jo Hall in October 2018, where the band performed with a 53-member orchestra, alongside footage from the Saitama Super Arena show. The release also includes a 100-page booklet packed with newly shot member photos, commentary, live reports, and interviews with the production team, offering a deeply engaging read.

Ryuichi Sakamoto sadly passed away at the age of 71 on March 28, 2023. His music never stops and continues to leave a lasting impression on people living in the present. Playing the Orchestra 2013" was the first time in 16 years that Ryuichi Sakamoto performed with a full orchestra in Japan and created a sensation. This film is an updated version of the 2014 Tokyo performance, which he conducted himself. In this film, Sakamoto conducts all the pieces while playing the piano, The film features Sakamoto playing the piano and conducting all the pieces, and a variety of music from YMO's masterpieces such as "Merry Christmas Mr. Lawrence" and "The Last Emperor" to his own film music, all performed by the magnificent Tokyo Philharmonic Orchestra.

An all-girl band hits paydirt—and mud—when they sign a male crooner and then sell five 25% shares of his contract.

Ted Fio Rito and his Orchestra provide the title element with their snappy tunes fronted at different times by just starting out Betty Grable & Leif Erickson.

A Marine Sergeant wounded in overseas combat requires an operation, and the Navy psychiatrist recommends that ‘Sarge’ be given a few weeks’ rest before hospitalization. Through the Dean of San Juan Junior College, Sarge enters on a temporary basis. Meanwhile, the Teen-Agers are rehearsing a show and Freddie's worried as they have no band.

Jimmy, the owner of a failed music shop, goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices. Soon, Jimmy finds himself trying to help the band by getting them gigs and trying to reconcile the family with his uncle.

Multi-platinum recording artists release their first-ever live DVD. Recorded in April 2005, the shows were filmed in the band's hometown of Atlanta during two special sold-out performances featuring the Atlanta Symphony Youth Orchestra. The 20-song collection spans ninety minutes and encompasses hits from Collective Soul's seven studio albums, including their latest release, "Youth".

Darta, a man from an impoverished family, is rejected by the wealthy parents of the woman he loves. Desperate, he strikes a bargain with the Monkey King, performing a dark ritual to gain wealth. However, in doing so, he accidentally curses his wife and child to a life of suffering. Rooted in Indonesian mysticism, this universal narrative explores the insatiable hunger to become something one is not and the boundaries one is willing to cross to achieve it.

In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.

Indochine, une révolution musicale