Do Not Go Gentle Into That Good Night

Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.

A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.

A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way.

Kazuhiko seizes the opportunity of his mother's illness to quit work and return to his parents' home. He begins working at senior citizens' home, performing his duties despite having doubts about the facility's policies even as he listens to his mother's grumblings at home. Then he meets a rebellious woman, Aiko, who begins to have an influence on him.

An elderly married couple find that as their physical and mental health deteriorates, they find themselves dependent more and more upon their grown children.

Späte Aussicht

Amidst her own personality crisis, southern housewife Evelyn Couch meets Ninny, an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in Whistle Stop, Alabama in the 1920s.

A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life...

After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.

Under the thumb of Nurse Baker, Nurse Maggie Collins struggles to care for the long-term residents of Moss Oak Manor, a home for the elderly. When good intentions are misinterpreted, Maggie must struggle to address issues of ambition and ethics.

A nurse takes care of a patient in her house. Maria do Céu has been a nurse for more than forty years, working at an old Hospital in Lisbon. She was sixteen, when she arrived to Lisbon, coming from a small village in Alentejo. At the Hospital, she reads the file of an old patient who was also her friend. The file is then closed. Maria do Céu returns to her village, where she sings at the people’s house choir.

Harry Landers is a feisty senior citizen who refuses to abide by the rules in a stodgy retirement home run by a dour Ms. Davis, in which Harry leads a revolt by the other goated senior citizen residents against the establishment.

After a period of time without seeing his mother, Anjel Mari decides to bite the bullet and go and visit her at the nursing home to which she has been admitted. He doesn’t like seeing how his mother has disappeared under the skin of a senile old woman who does not recognise her own children.

A down-on-his-luck crab fisherman embarks on a journey to get a young man with Down syndrome to a professional wrestling school in rural North Carolina and away from the retirement home where he’s lived for the past two and a half years.

Mamma Gógó is about Gógó, an elderly lady, who is diagnosed with Alzheimer disease and her son’s and family’s reaction to her illness. While Gógó is continuously getting herself into trouble, of the kind only a person with Alzheimer can, the son, the director, is struggling with financial troubles after his film Children of Nature has flopped in the cinema. As Gógó‘s disease progresses her family decides that it is best for her to move to a nursing home. Gógó and her deceased husband, who appears on the scene, are not happy with that decision. The director is dependent on others when it comes to his finances and when Gógó settles into the nursing home he decides to sell his mother’s apartment and valuable artwork but the profits of the sale help him to get by.

In the South, convicts get a temporary release to help during a flood.

When a rich woman dies without signing her new will, all kinds of problems ensue.