I Am Ali

Simon Watterman, a space archaeologist, discovers the "Munchies" in a cave in Peru. Cecil Watterman, Simon's evil twin brother and snack food entrepreneur, kidnaps the creature. What Cecil does not know is that the creature, when chopped up, regenerates into many new creatures and are they mean!

A private aerial show welcomes a young artist, who will soon realize just how dangerous the entertainment industry can be. Still, she will have to face the audience, whom she must please or suffer the consequences.

Boundary-pushing Russian dancer and actress Ida Rubinstein selects renowned French composer Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.

After losing her best friend Yue to depression, Joy struggles to celebrate his first birthday without him, reflecting on their past, she desperately tries to only remember the good things.

A young boy and girl travel in a strange car and encounter various objects which come alive to help them. Eventually they leave the Earth altogether and visit a strange, new planet.

A rowdy singer - blindsided when her guitarist/problematic lover quits the band - struggles to write a song to prove to her record label she's worth keeping solo. Looks like she'll have to face herself before she can face the music.

The Oldest Heart is a short documentary that follows the inspiring journey of Australia’s oldest female amateur boxer, Lyn Joy Mills, who at 71, embarks on an extraordinary journey toward her first official fight.

Tracey Moffatt’s fast paced montage videos compile scenes from film and television programs selected in response to a particular theme or coding. This is the final work in a suite of 7 videos made over the last decade; the previous works include ‘Lip’ 1999, ‘Artist’ 2000, ‘Love’ 2003, ‘Doomed’ 2007, ‘Revolution’ 2008 and ‘Mother’ 2009. 'Other' is one of the most mesmerising of the series as it edits together scenes of interracial encounters. It opens with first contact sequences, films in which the beach and the shallow waters are a zone of encounter between ships and canoes, between Europeans and non-Europeans. It then moves to images of looking, of two different peoples meeting for the first time and appraising each other visually. As imagined by Hollywood and TV directors, this is a moment of both curiosity and desire, where glances become lingering and erotically charged.

Estelle and Lily are two Jewish women for whom keeping a kosher home and marrying a nice Jewish boy are not on the agenda. Alienated from themselves and wondering why 'it isn't exactly trendy to be Jewish', Estelle and Lily meet each other and explore their Jewishness. They explore the stories of a mother and daughter in fifties Britain, a refugee from Vienna, and Israeli Iranian storyteller, a neurotic father, a Trinidadian woman, and finally the two women end up on a roof looking at Israel. Rootless Cosmopolitans mixes music, family and food to take a wry look at the myth of the Jewish princess and asks 'What is a Jew?'

Felina, a woman capable of becoming a panther, or perhaps a panther capable of becoming a woman, lives in love with a blind pianist.

Amateur travelogues by women in the 1920s-50s are woven into this meditation on the traveler’s gaze. A mountaineer, a divorcee on a tour of biblical gardens, an antique merchant and others are revealed through their own optical autobiographies.

Tilda's days are strictly structured: she studies, works at the supermarket checkout and looks after her little sister Ida - on some days she also has to look after her alcoholic mother. But this summer brings a change: Tilda receives a promising job offer for a doctorate in Berlin. Viktor also turns up, who, like her, always swims 22 laps in the swimming pool. When Tilda begins to believe that everything could be better, the situation at home spirals out of control.

After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

B.J. Cassidy, a rich businesswoman, has to invest several billion dollars for fiscal reasons. She undertakes to buy back a small French factory, specialized in chocolate truffles...

A young woman escapes her wildly eccentric family in search for a life of normalcy.

One day, Carmen Müller realizes that her husband Werner has been unemployed for months and has accumulated debts of 80,000 DM in their bank account. She comes up with a plan to rob her bank. When the branch manager and neighbor Lothar Fuchs, whom Carmen has always envied for his beauty and wealth, recognizes her, she takes him hostage. In their hideout in the Allgäu, the banker falls in love with the housewife, just as Werner and Fuchs' mistress Gabriele grow closer. The quartet form an alliance and defraud the bank together. Having come into money so suddenly, the Müllers don't feel comfortable either and secretly distribute their fortune around the neighborhood.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.