Fangs! A History of Vampires in the Movies

Director Alexis Puig and his partner, Luciana Méndez, go on a personal journey through their love and obsession with vampires and Count Dracula.

Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

Extranjeros de sí mismos

Within pearly walls of a castle, where flesh invades, distorts and twists all, meet Ophélie and a vampire Meanwhile, Laurence, a young man journeyed far to come find her

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”

A reimagining /regurgitation and re-dubbing of a classic silent horror flick! Shot in mind-shattering 2D (& 36DD), featuring T&A and epic voice-over ‘voom’, by Ms. Ilham Otaku & Pepe Chingadero! Original 1922 star Max Schreck plays (in newly tinted archive footage, mixed, with new) Count Orlock, a deviant, adulterous, shape-shifting Transylvanian vampire aristocrat & super creep, who is tearing Bremen, a new corn-hole & it's up to a 'brotha-in-a-collar' and a creole nun with a flamin' gun, to stop him, in this 'creature-feature' fang-fest! Co-Starring Canadian Scream Queen: Vivita, with new footage shot in tantalizing Watt-a-Rama & dubbed in Tex-O-Phonic Super-Sound

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.

Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.

Documentary film that deals with the problems of the rock'n'roll scene in Niš, focusing primarily on the period after the collapse of the former SFRJ.

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.

Siempre días azules

De Madrid a la Luna

Some kind of sadist, but not human, is murdering people. A doctor is convinced that the killings are the evil workings of a reclusive odd baron who died many years ago.

Dracula kills another innocent victim and Dr. Seward decides it's time to wipe him off the face of the earth. Armed with a hammer and a wooden stake, he arrives at Castle Dracula and duly dispatches the vampire Count. Next day, however, Dr. Frankenstein arrives with his assistant, Morpho, and a large crate containing the monster. Using the blood of a pub singer who has been abducted by his creation, the doctor brings Dracula back to life and uses him for his own ends. The Count and a female vampire continue to terrorise the town, so Dr Seward once again sets out for Castle Dracula. Unfortunately, he is attacked by the Frankenstein monster and left for dead. Amira, a gypsy, rescues him and summons up a werewolf to do battle with the forces of evil...

Aliens from a dying world plot to conquer earth by preying on man's superstitions. Bringing two dead scientists back to life, they use their knowledge to re-animate various earth monsters, including the werewolf, Frankenstein's monster, the mummy Tao-Tet, and the vampire Count de Meirhoff.