Vagabond's Band

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Documents the band "Korter í Flog". Their way to the top and their ultimate downfall. Post-dreifing, THAT Húrra concert and so much more.

Live performance of the prog legends Birth Control. The concert recording contains new material, but also well-known classics, handmade grooves, interesting harmonies, burning solos and soulful rock vocals in front of an enthusiastic audience.

Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.

“But is this the final stop or just a long summer vacation before the start of a new journey?”

A short film with the participation of the leader of the "National Bolshevik Party" Eduard Limonov.

Filmmaker Larry Wayne Warren hosts an improvised trek through New Orleans in September 2005 to survey the devastation caused by Hurricane Katrina.

Being David Hasselhoff

The remarkable synergy between biology and technology is blurring the line between man and machine. We are at a critical juncture in our evolution: as technology continues to progress, humans are becoming more machine-like and machines are becoming more human. With striking 3D animation and special effects, Beyond Human joins inventors, scientists and philosophers for an unprecedented voyage into the future of bioengineering and robots.

Caravana

Hilarious send-up of psychoanalytical propaganda films, illustrating every absurd cliche about the 'lesbian nature' and raising issues of self-representation and media production. Witness the witty appropriation of the 'mannish lesbian' into a sexy drag king and see the lesbian filmmaker as the ultimate action hero(ine).

An intimate portrait of a young couple, Zoryana and Edgars, and their hardships as young, 17-year-old parents, living in the countryside in a remote part of Latvia. The limited job opportunities available in their rural area have left the family mired in poverty. Zoryana becomes a hostage between her two closest people, her mother and Edgars – she must choose between her mother’s advocacy of countryside as the best place for raising a family and life in the city, which would offer more creature comforts and more opportunities to earn a living. Zoryana Horobraya sweeps us along on Zoryana’s journey, as she tries to escape the protective bubble of her mother and define her own family’s happiness and existence.

Predictions underlie nearly every aspect of our lives, from sports, politics, and medical decisions to the morning commute. With the explosion of digital technology, the internet, and 'big data,' the science of forecasting is flourishing. But why do some predictions succeed spectacularly while others fail abysmally? And how can we find meaningful patterns amidst chaos and uncertainty? From the glitz of casinos and TV game shows to the life-and-death stakes of storm forecasts and the flaws of opinion polls that can swing an election, 'Prediction by the Numbers' explores stories of statistics in action. Yet advances in machine learning and big data models that increasingly rule our lives are also posing big, disturbing questions. How much should we trust predictions made by algorithms when we don't understand how they arrive at them? And how far ahead can we really forecast?