How to Plan a Movie Murder

This first documentary about the pop group ABBA was made around the time of the release of their fourth album 'Arrival'. It contains unique archive footage filmed at the secret location where they made the record, concert footage, specially made promotional videos, photos from the group members' private collection and interviews in Swedish with each of them: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad. Stig was also interviewed briefly and was shown playing and singing part of Tivedshambo on acoustic guitar.

Promotional video celebrating 20 years of the Naruto animation project.

The American Dad short film, which preceded the theatrical run of the 2005 feature Fever Pitch, is about Stan Smith touring his work days in the CIA and his "normal" everyday life.

This is the screen test video trailer version of Fred Dekker 1995 script for the live action version of Jonny Quest. The script takes place in Hong Kong 1964 where a top commander Race gets recruited to Dr Quest as his bodyguard. He also befriends the doctor's son Jonny who is more adventurous than some might know but also distanced from his father. Together they are headed for the lost city in the jungle where they will prevent a Chinese doctor from taking the magic power of the gods.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

A celebration of the 30+ year legacy of the Child’s Play franchise and iconic character, Chucky, with never-before-seen interviews with franchise creator and actors.

At the dedication of a new road sign, Dan McGurk tells the story of his forebears and how they helped transform rutted dirt roads into the modern highways of today. He speaks of the benefits of the trucking industry and how it depends on the nation's roadways, and he rails against regulations that make the industry less efficient and profitable. After recounting the amounts the trucking industry pays in taxes, he watches the unveiling of the sign naming the highway The McGurk Way.

An interview with actor Virginia Madsen about her work in Candyman (1992).

On the day they move apartments, a couple struggles to get everything in order before the landlord arrives for a final inspection.

A look at Greenwich Village, produced by the Cotton Producers Institute.

A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.

Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.

This, then, finishes eleven years of editing drawing on 30-some years of photography. I will surely work autobiographically again, but the modes of SINCERITY and DUPLICITY seem completed with this film which on the one hand is as simple in its integrity-of-light as those follow-the-ball "sing-along" early silent movies and on the other as complicated as teen-age metamorphosis. Childhood dissolves in flame, struck from the hearth.

In this "Romance of Celluloid", MGM showcases performers whose careers are just starting. Excerpts from their recently released films are included. The narrator says that moviegoers will have to decide whether these fledgling actors and actresses have that certain quality that made superstars out of MGM players Clark Gable, Spencer Tracy, and Lana Turner.

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.

Some time after the events of The Ring, a subculture of people voluntarily watch Samara Morgan's video and wait to see how close to the seven-day deadline they can get before showing it to the next person. They record everything they see and share their experiences on a secret website dedicated to the videotape. No one has ever recorded a day seven.

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT

Narrated documentary of the making of Anthony Adverse (1936), featuring many clips from the actual film.

Two tour guides take visitors on a promotional tour of Warner Bros.' studios.

In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.