An artist, surrounded by the mess in her studio, struggles with frustration as she tries to find inspiration for her new painting.
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
The creatures are out for a feast.
An erotic horror film about a boy who sleeps naked on a hot summer night and suddenly discovers that he's not alone.
In 15th-century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
A doctor's research into the roots of evil turns him into a hideous depraved fiend.
A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.
During a wedding party, according to tradition, hide-and-seek is played in a local abandoned castle. The bride falls into a hidden corridor. As she enters a room, the door falls shut behind her. Inside, she finds a dead woman and a book that says she cannot get out of here. However, a cat taking her scarf outside is her salvation. The cat puts the searchers on the right track, and the groom finds his bride.
A traveler is welcomed into a fully automated hotel, where no human intervention is required. But the machines malfunction, giving the guest a nightmarish experience. Extremely dissatisfied, he wants to leave without paying. However, this possibility having been anticipated, he has no choice but to pay the bill, and also to leave a tip.
New York, 1927. An aspiring model goes to have her picture taken, but a camera can have a mind of its own.
Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.
Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
A mysterious man with a cup full of money stands in a dark alley. After a woman throws money into the cup, the two kiss. The woman has thus been cursed.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Murnau’s epic adaptation of Goethe’s tragedy stands with Fritz Lang’s Metropolis among the supreme achievements of German silent cinema. Gösta Ekman plays the alchemist who, his faith shaken in a time of plague, is offered the gift of healing and eternal youth… in exchange for his soul.
This Mutt and Jeff cartoon was directed by Charley Bowers. It shows his typical care, both in the drawings of the characters and a surprisingly elaborate back ground. Mutt and Jeff are out looking for fire wood during a cold snap; the Devil appears and takes them to the Hot Place, where they are put in charge of making sure that the last fire there doesn't go out. Their job is complicated by the imps and demons, as well as the fire insisting on wandering around.
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.