How to Survive the '70s and Maybe Even Bump Into Happiness

Like the hit album that inspires its name, Supernatural Live brings journeyman guitarist Carlos Santana back into the mainstream by surrounding him with younger superstars eager to bask in his formidable musical presence. Resuscitating stardom through sheer proximity can translate to forced pairings or superfluous music making, but credit Santana himself with minimizing such missteps. A fusion artist before the term was coined, the erstwhile Mexican street musician long ago extended his technical reach and broadened his stylistic palette by hungrily assimilating different styles of music. Accordingly, he shifts gears easily, whether soloing behind Dave Matthews, trading lines with legendary saxophonist Wayne Shorter, or spicing up a hip-hop excursion with Lauryn Hill.

A tale of thwarted love and mistaken and assumed identities, this comedy revolves around an ordinary man becoming ‘King for a Day’. Cavaliere di Belfiore has, to distract attention from the genuine monarch, assumed the identity of King Stanislas of Poland, and arrived with much pomp at the castle of Baron Kelbar near Brest. There he finds himself in the middle of preparations for two weddings: the baron's daughter Giulietta is, most unwillingly, to marry the elderly La Rocca, while a local military official is hoping for the hand of the Marchesa del Poggio. Can ‘King Stanislas’ use his regal power in time to disentangle these unhappy betrothals before his true identity is revealed?

On a beautiful Melbourne evening in November 2008, an audience of nearly 40,000 witnessed the show of a lifetime. André Rieu and his Johann Strauss Orchestra, together with the Imperial Ballet of Vienna, Tanzschule Elmayer, Stars on Ice and the Australian Federal Police Pipe and Drum Band and friends brought Vienna to Australia. Against the spectacular backdrop of the Schönbrunn Palace, André, his musicians and his entourage entertained the audience with gems from the Austrian capital as well as a host of popular melodies from his 'second home', Australia.

Someday in My Life Ocean Home Positively 4th Street Lost Weekend Home Loan Blues A New Flame Night Nurse Something For You You Make Me Feel Brand New Stars Money in My Pocket Fake Thrill Me The Right Thing Something Got Me Started Holding Back the Years Money's Too Tight to Mention Fairground Sunrise Special Features Documentary Bonus Tracks: Live in Montreux: The Right Thing Live in Croatia: You Make Me Feel Brand New Mick Cam

Homer Flagg is a railroad worker in the small New Mexico town of Desert Hole. One day, he finds an abandoned automobile at an old atomic proving ground. His doctor and best friend, Steve Harris, diagnoses him with radiation poisoning and gives Homer three weeks to live. A big city reporter hears of Homer's plight and convinces her editor to provide an all-expenses paid trip to New York.

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.

The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.

Face the Music is a much-needed in-depth look at the groundbreaking solo work of one of rock’s most underestimated, creative, and irreplaceable musicians. Summing up his monumental project, the unfailingly modest Lofgren says, “We were just grateful to play our faces off, anywhere and everywhere. To look back 45 years and to hand-pick this music and to hear it all together is pretty stunning."

Robot Repairman Austin has an unexpectedly busy day in futuristic Mega City when all the robots go on a rampage set to roller disco! When the evil Professor Bug (Pablo) starts making all the robots malfunction, it's up to Repairman Austin to save the day in this double-length adventure!

Filmed at the Palace Theatre in Stamford, CT during their 2011 tour, Crosby-Nash: In Concert captures the legendary duo performing hits from their beloved catalog.

Exactly one hundred and fifty years after the birth of the brilliant composer and conductor Gustav Mahler, a select band of artists gathered in his birthplace, Kaliste, to honour his creative talent in a very special way. Under the direction of the Austrian conductor Manfred Honeck and accompanied by the internationally acclaimed Mahler Chamber Orchestra, three world-famous soloists came to pay tribute to Mahler at a gala concert: Thomas Hampson, Anne Sofie von Otter and Marita Solberg. The result was an unforgettable summer evening of classical music made up of outstanding excerpts from Mahler's Second Symphony and his best-known orchestral songs, performed on an impressive open-air stage against the backdrop of an idyllic natural setting - it was, in short, a worthy tribute to the great Gustav Mahler.

The Blockheads are an English rock band formed in London in 1977. Originally fronted by lead singer Ian Dury as Ian Dury and the Blockheads or Ian and the Blockheads, the band has continued to perform since Dury's death in 2000. Song listing 1) Sex & Drugs & Rock & Roll, 2) What A Waste!, 3) Hit Me With Your Rhythm Stick, 4) Reasons To Be Cheerful, Part 3, 5) I Want To Be Straight, 6) Sueperman's Big Sister

A group a young artists are making one last film before the final destruction.

The "good vibes only" freshman Mitsos, the "stuck with her parents" 25-year-old Sofia and the "no strings attached" 30-year-old Dimitra. A Saturday night when none knows if they’re ready for the next step.

Meg, a music manager, travels from New York to London to manage a boy band, Five Together, and find them a Christmas number one to bolster their flagging career. She finds a song on the internet posted by an ailing thirteen-year-old girl, Nina, and tries to obtain permission to have the song re-recorded by Five Together, but she discovers she has competition from the songwriter, Nina’s uncle Blake. What follows is a romantic comedy about two worlds colliding – with a young woman at the centre who desperately wants her uncle to find love and for his song to hit the number one spot by Christmas Day.

The exquisite harmony of Vivaldi's masteerpiece with stunning video of nature's wonderous beauty.

Rigoletto (Verdi) - Wiener Staatsoper

Endless Calls for Fame takes place in the gritty streets of New York City in the 1990s during a time when punk and indie rock was moving from the underground into the mainstream after the cultural tsunami of Nirvana. Using her rediscovered personal archival footage, the director shares the front-row story of this unique era of alternative rock through the lens of one band's experience, The New Rising Sons. The film brings to life a vibrant New York music scene of the past as it follows the band’s brush with stardom, their dissolution, and their journey to redemption 20 years after they were formed.

KODA KUMI 25th ANNIVERSARY TOUR 2025 ～De-CODE～

Eight internet-obsessed people meet in a church basement and lock their phones in a box. They follow the octet as they struggle with digital dependency, charting their compulsions using only the analog vibrancy of their own voices.