Doktor Murkes gesammeltes Schweigen

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.

Gabriel Iglesias is one of the fastest-rising comics today! With his unique brand of humor, lovable stage presence and wide range of voices and impressions, it's no wonder that he already has a huge fan following. Now you can see Comedy Central's "Comic of the Year" in his sold-out performance at the historic Fox Theatre in Bakersfield, California!

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

Ashton Brothers - Treasures

Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.

Registration of the eleventh theatre program by the Dutch comedian Theo Maassen.

Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.

A peaceful, frightened little man is mistakenly identified as "The Dragon", a notorious criminal at large. He briefly and reluctantly rules the underworld until they realize their mistake.

The FDP is gone - the financial crisis is still here. Fortress Europe is being built and the AFD would like to be in charge. The funded pension scheme is becoming a poverty trap for the average earner, so the only thing that helps is new enemy stereotypes to keep the democratically fooled at the bar where they are allowed to dance. Whoever controls the media rules the media democracy. The problems are not new, but they have evolved just as much as the program. Volker Pispers constantly updates his cabaret program and thus reflects the state of the republic: the ever new in the eternally same. Because while the media circus with its speech bubble jugglers makes us believe that something is constantly happening, virtually nothing is happening when it comes to the fundamental problems. You look in vain for respect in Pispers' programs. Blunt, crass and direct, he oscillates between bitterly angry and charmingly witty when he thinks the absurdities of the world through to the end.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

Shaw Brothers superdirector Li Han-Hsiang was particularly masterful in two genres: erotica and classic Chinese tales. He combined these two loves in this two-part examination of lust. The first story features an elderly jeweler's adventures with his unsatisfied wife, a handsome neighbor, and the neighborhood bordello. The second is a more modern tale of sex, lies, and videotape.

The wealthy von Wellingens are shocked when the father of their son Fred's fiancée Lia juggles desserts at a formal dinner. They encourage Fred to break the engagement. Lia goes to Berlin to marry a Baron von Schwarzdorf, and Fred arrives too late to stop the marriage.

Félix rebolledo is a pimp who owns a cabaret, two bingo halls and three dating houses. He now intends to open a party hall, and for this he has - as he always has - the support of the Bishop, whom he has bribed with frequent donations. Counting on the support of the Church, it will be much easier for him to have the approval of the City Council, although, on the other hand, he also has bribed, among others, the mayor and the president of the Council of the Deputation.

To earn extra money, a prim schoolteacher takes a second job as secretary to the uncouth owner of a boisterous nightclub.

At Satan & Co., Inc., the devil is upset because too many people are going up to Heaven rather than down to Hades. He gives his assistant, Mr. Burns, the task of getting more people to his domain. In front of a nightclub, Mr. Burns invites a crowd of people to come inside to The Devil's Cabaret to be entertained. After they enjoy songs and dancing, the people go willingly to Hades.

A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.

This film is considered one of Tin Tan's funniest comedies. This time, the charismatic comedian incarnates a mariachi musician that lives the most entertaining an extraordinary adventures while traveling from Mexico to the paradisaic island of Cuba. An example of the excellent cinematographic comedy that only Tin Tan can achieve.

A violent stop motion cabaret for the cynical and depraved. Guilt, alcoholic apathy and the inevitable, looming apocalypse threaten to push a young man to the brink.