Radical Harmonies

Documentary

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Performances are bookended by interviews by the respective bands and Earache's Digby Pearson. 01. Napalm Death - If The Truth Be Known/Suffer The Children 02. Morbid Angel - Immortal Rites 03. Nocturnus - Lake of Fire 04. Paradise Lost - Dead Emotion 05. Prophecy of Doom - Rage Against Time 06. Godflesh - Christ Bait Rising 07. Cerebral Fix - Unity For Who/Enter The Turmoil 08. Sonic Violence - Manic 09. Bolt Thrower - Cenotaph 10. Vengeance Rising - Before The Time 11. Entombed - Left Hand Path 12. Carcass - Reek of Putrefaction

At the beginning of winter, a filmmaker retires for six months to a hermit's cabin in the middle of the forest, cut off from the world and its means of communication. Through the words of four women she has filmed previously, all of whom have dedicated their lives to different forms of spirituality, she embarks on a mysterious inner adventure, on the edge of solitude and nature. A journey that invites us to connect with the world in a different way.

A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.

Convivencia

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside Llywin Davies and possible origin of the stories they tells, the folk movement during the 1960s and the social and cultural ideas that it represented, the authenticity and the identity of folk music and the balance between the two, the future of folk music, etc. Included with the featurette are illustrations by Drew Christie. The featurette was created exclusively for Criterion in 2015.

Sheryl Swoopes famously has been labeled as the female Michael Jordan, but that's only part of the story. On the court, she was nearly as dominant as Jordan, winning a national championship with Texas Tech, three Olympic gold medals, three MVP awards and four consecutive championships with the Houston Comets of the WNBA, the league she helped start. She even had a Nike shoe named after her, the Air Swoopes. Off the court, she has had a life full of transitions. She gave birth to her son, Jordan, during the inaugural season of the WNBA. Later, she divorced her high school sweetheart and became the highest-profile athlete in her sport to acknowledge she was gay. She has struggled with love, money and personal identity, but has never lost her spirit. In this portrait, you will meet someone who is not your everyday superstar, but a woman who has defied a multitude of labels.

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Vida is a documentary retracing the creation of the mixtape "vida". A musical project filmed by a young film student in the city of Lyon. The documentary is shot over 11 months.

Elas da Favela

When four jazz musicians—trumpeter Serge Adam, pianist Benoît Delbecq, bassist Francky Mwele, and drummer Emile Biayenda—prepare for an African tour with the aim of engaging in dialogue with the musicians they meet along the way, certain clichés prove hard to shake. The jazzmen themselves are well aware of this; after all, isn't their very starting point a desire to avoid them? Musical curiosity must be reciprocal, and, after all, jazz is surely the territory that—even if not strictly shared—serves as an initial "no man's land" for an encounter. Beyond that lies the adventure...

The Post(?) Feminist Dissonance Project uses a quote by Kathleen Hanna as a prompt, a voicemail box as an interviewing device, found footage as a tool, and text as a character. it is a study in the cacophony of the inner life tuned against the perception of reality. i made this piece to see if i was alone, and i discovered that for better or for worse, i am not. this is above all about the process, not the resolution.

This is a story that’s never been told. SHOW HER THE MONEY addresses how women are getting less than 2% of venture capital funding and demystifies what venture capital is. Featuring rock-star female investors who invest in diverse women entrepreneurs with innovations that will change the world, Show Her The Money reminds us that money is power and women need it to achieve true equality.

Den förbjudna gangsterrappen

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.

The Big Show

A short TV filler rendering the raga Megh Malhar as sung by Ustad Amir Khan. The Megh Malhar evoking the rain gods is generally sung between 11.30 PM and 1.00 AM.