The Ljutomer Fair

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

The Iowa State Fair draws millions of people to the city of Des Moines every year. However, this film is not about the Iowa State Fair or the people who attend. It's about where they park their cars. Inspired by the classic documentary, "Heavy Metal Parking Lot".

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

Early film footage of fun fair workers and revelers at Devil's Dyke on the South Downs, taken by pioneer James Williamson in around 1896. At a fair at Devil's Dyke, boys scrap beside wooden swing boats. Others, wearing dark suits, watch chains and caps, stretch up to push one of the swing boats. The boys are aware of the camera, which films them from a fixed position. A couple swing sticks in the air, playing up to the camera while the boys work. At the merry-go-round, two women stand in the foreground. They wear shirts with full pleated sleeves and boaters. Other visitors to the fair pass by the camera, including a man with a pipe and a woman with a wide cloak. Young visitors ride on a track, the South Downs in view behind. They cycle, turning a wheel in front of them. An open-top carriage rides away from the camera and back again along a switchback railway, driven by a worker who jumps on and off.

Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.

Documentary showing buildings made by great architect Joze Plecnik in Prague, Wien, Ljubljana...

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A short, early documentary work showing insects exhibiting extreme strength and agility.

Farmers' wives from Amager selling flowers.

Street Trading. Fishermen's wives from Skovshoved sell their fish from the stalls at Gammel Strand. Anker Kirkeby is in the picture.

The remains of the Baltic Violence have been eroded away by the large steam excavator. There is a man standing at the railway cutting as trains pass. He throws something into the railway cutting. This person is seen in several of the recordings from 1913. It may be journalist Anker Kirkeby.

Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.

On a market day in Kernascleden, two Breton women exchange their hair for a few coins. The hair becomes hairpieces. Last scene, an elegant Parisian removes her hat and exposes her generous wig skillfully coiffed.

Also known as The Operation of Dr. Alejandro Posadas. Filmed with early orthochromatic film in the Hospital de Clínicas de la Ciudad in Buenos Aires.

Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."

It is a dramatic film, with its colossal explosion and smouldering remains. Within seconds of the chimney's collapse, crowds swarm in to inspect the site; issues of the crowd's health and safety are clearly not a concern, as people smile, wave and salute the camera.

A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.

To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.