The Funeral of Vera Kholodnaya

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Footage of the German airship Hansa over Copenhagen.

Women getting onto a rickshaw.

A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.

A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.

Lumière's documents life in Palestine.

The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade. The participants in the parade include cowboys, Indians, and soldiers in the uniform of the United States Cavalry on horseback and riding horse-drawn coaches. Buffalo Bill can be seen on horseback, lifting his hat to the crowd. Filmed on 1 April 1901.

In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below. The water looks to be about three feet deep. They swim back toward the pier. A small motorized boat passes. It's a stationary camera; one take.

A short film featuring several dancers from different countries: first an Arabian dancer, then an Algerian belly dancer, and finally Scottish highlanders in kilts performing a jig. Section one is rendered in hand-color.

The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.

Inventor Jacob Ellehammer's first attempts at flying.

A hunter and his native helpers set up a trap, then taunt and shoot a panther. Next we see the locals skin the animal.

On 4 September Frederick Albert Cook (1865-1940) arrived in Copenhagen on the ship 'Hans Egede'. He received a hero's welcome as the first man to set foot on the North Pole. He was greeted by the king, and given an honorary doctorate at the University of Copenhagen. Only a few days later, however, his endeavour was questioned, and in December the University rejected Cook's documentation. Carl Th. Dreyer is seen as one of the journalists taking notes. (DFI)

A group of military men uses explosives to de-root trees.

Various street scenes from Copenhagen in 1907.

Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.

A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.

On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.