A short documentary covering the conclave and election of Pope Pius XII.
Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place. Edited down from The Shining Future (1944).
Cast and crew discuss the film's authentic recreation of baseball scenes and the landscape of the 2002 baseball season, sets and filming locales, costuming, and more.
Ténérife
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.
The true story of a young teenage girl whose mother is incarcerated for murder. Living in a Catholic Children's home run by an order of nuns, she provides poignant commentary about her mother, her own situation and her outlook for the future.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
The first light of dawn. The sound of a boat and the screech of birds fill the wide expanse of sea. Black rocks emerge from the water, the “sciara” – the volcanic scoria – of Stromboli, the underwater sulfurous emanations, the layers of reddish rock eroded by the sea. The roar of the volcano can be heard, the flames and the liquid lava are thrown skyward. As nature unleashes itself, the fishermen row toward the shore, the sheep stray and the women return home.
After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.
A lyrical portrait of Amsterdam and its changing appearance during a rain-shower.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
The film explores familiar landscape imagery Saïto and Goldstein share in their neighbourhood at the foot of Mount-Royal Park in Montréal, Canada. Using the images of maple trees in the park as main visual motif, Saïto creates a film in which the formations of the trees and their subtle interrelation with the space around them act as an agent to transform viewer’s sensorial perception of the space portrayed
A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
Bear Country is a 1953 American short documentary film directed by James Algar. It won an Academy Award at the 26th Academy Awards in 1954 for Best Short Subject (Two-Reel).[1] The film was produced by Walt Disney as part of the True-Life Adventures series of nature documentaries.
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.
The cast and crew of 'Enemy' guide the audience through the making of the film and the possible meanings behind its enigmatic imagery.
Water Birds is a 1952 short documentary film directed by Ben Sharpsteen. The film delves into the still waters of lagoons and marshes to the wild blue wilderness of the vast oceans, to experience the beauty and variety of their majestic birds, each perfectly designed for its habitat. It won the Oscar for Best Short Subject, Two-Reel.
“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage