A Hypnotic Television Experience

Wilhelm II. returns from his trip to Bethlehem

Wilhelm II. visits a market place in Beirut, Lebanon.

Wilhelm II. arrives in Haifa, Israel.

Kaiser Wilhelm II appears before the people in Damascus.

Kaiser Wilhelm II arrives in Constantinople.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

Leo's dreams of being an international drag superstar are hard fought working in a fish cannery in Alaska.

A compilation reel of local movie theatre trailers for upcoming events, such as a “Bug-o-Rama” festival and a “Marathon of Fright.”

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

A Tibetan woman collects water near her family's yak farm and brings it back home 80-pounds full, in a ritual that takes her an hour to complete. A selection from Peabody Award-winning documentarian Bari Pearlman’s Nangchen Shorts series.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

After discovering that John Milton is buried within London's Barbican grounds, Iain Forsyth & Jane Pollard reimagined his epic poem ‘Paradise Lost’ as part of Doug Aitken's Station to Station project. The piece uses the architecture and atmosphere of the Barbican to update the story, which is told in three parts.

1819. A shipwreck-survivor, the Navigator, encounters an Old Knight who recounts his tale: Long ago, the Knight fell in love with a mysterious Lady. But in a dream he saw her true form and begged his release. Awoken and alone, he realized his failure. Thus he has waited, kept alive for centuries by his regret. Based on the John Keats poem of the same name.

When Flopsy sets out to prove that anything her sisters can do, she can do better, she soon learns that when times get tough, sisters come together.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Documentary short about an anual football game being helf in Florence, Tuscany in Italy dating back to medieval times.

Ingemar waters the "forbidden plant" and encounters Mebana; a mix between a woman and a plant, who grows up from the soil. Soon Ingemar falls in love with her.

This John Nesbitt's Passing Parade short tells the story of Alfred Nobel, who invented dynamite, and later established the Nobel Prize.

On a search for a couple for a love story with sex beyond the 70 Herbert Götzinger sent me to his colleagues sculptor Ludwig Chateau. During my surprise visit with the running camera, asking if he would be willing to do his part, he attacked me: "Is not that enough what they're doing at this moment?" –LM