The Truth About the Imaginary Passion of an Unknown

1 minute experimental film.

In the spring of 2010, a church lock in at First Baptist Church was organized by Pastor Chris. In the first hour of the lock in, one of the students, Justin, had an unusual “incident” and was “inconsolable.” It was reported that he calmed down and kept to himself for the remainder of the event. Two days after the lock in, Justin reportedly broke down to his parents that he experienced something “evil” at the lock in. He also claimed he captured everything on tape. After watching the footage, the parents met with church leaders to discuss criminal charges they were considering filing against the church for child endangerment, neglect and torture.

In Biblical times, a girl disguises her Jewish origins when the Persian king comes looking for a new bride among his subjects.

Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.

Gavin Stone, a washed-up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.

Did Jesus exist? This film starts with that question, then goes on to examine Christianity as a whole.

Inspired by the scriptural tale. Moabitess priestess Ruth is drawn both to a Judean man and to his talk of a forgiving God. After tragedy strikes, she begins a new life in Bethlehem.

After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.

In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi

According to the Book of Genesis, Abraham was 100 when his son Isaac was born, and Sara, his wife, was no longer fertile. Isaac was one of three Israeli patriarchs, having died at the age of 180, after a peaceful life in Canaan, which would have been a lot shorter had his father sacrificed him on Mount Moriah as a young man. Fábio Silva revisits this precise famous biblical episode in “The Death of Isaac”, offering an alternative version in which matriarch Sara’s calls for divine intervention were not enough to make Abraham back down from his test of faith and obedience to God.

The film depicts the lives of veterans of the 1848 Hungarian Revolution in the American Civil War, based in part on an Ambrose Bierce story. The whole film was re-edited using his own method called "light editing" in order to make it resemble a damaged silent film from the late 1800s.

A sensual coming-of-age drama direct — It depicts a precarious relationship between a homosexual woman and a man who was picked up by her and ends up living with her

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)

Two pairs of Mormon missionaries from America live in a beaten-up apartment in the Dutch city of Haarlem. Their personalities are distinctly different. Elder Johnson is the District Leader and oversees their efforts. His companion, the vain Elder Van Pelt, seeks to become the assistant to the mission president (the top post available) as soon as possible. The capable Elder Rogers has become disillusioned and inattentive to his duties ever since a previous missionary companion returned to America and married Elder Roger's girlfriend. The three meet Elder Roger's new companion, Elder Calhoun, in the train station. This new elder is a nerdy but enthusiastic "greenie" that has just arrived from the Missionary Training Center (MTC) in Utah. Unfortunately, his training did not give him much fluency in the Dutch language. But as luck would have it, the first person he approaches to proselytize is a fellow American named Kyle.

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.

Opiekun

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.