Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
Wet Season revolves around the life of Ling, a schoolteacher who deals with infertility while having to take care of her infirm father-in-law at home. One of Ling's students, Kok Wei Lun, develops a crush on her during remedial Chinese classes. The two become closer as Wei Lun embraces Ling's extra tutoring.
A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.
Even if two people are on the opposite sides of the universe, once the connection is made, they're basically one.
John despises his father for being a failure in life. When John returns home to facilitate his father's funeral, his life comes to a turning point, as he discovers the true motivation of his misjudged father.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
Three tales of love wrap around the true story of a blind and deaf woman named Theresa Chan. In the first an elderly shopkeeper is devoted to his sick wife. In the second, two teenage girls become soul mates and lovers. In the third a chubby security guard tries to find the courage to woo a beautiful woman who works in his building.
A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.
When Singapore surrendered to the Japanese in 1942, the Allied POWs, mostly British but including a few Americans, were incarcerated in Changi prison. Among the American prisoners is Cpl. King, a wheeler-dealer who has managed to establish a pretty good life for himself in the camp. King soon forms a friendship with an upper-class British officer who is fascinated with King's enthusiastic approach to life.
Mia, an ex-prostitute, is trapped in a loveless marriage with the abusive Quan (Sunny Pang, who also stars in Headshot in this year’s Festival lineup), a butcher who runs a roast meat shop. When she meets sensitive funeral director Wu, their passion for one another escalates into an affair. But the path to true love is fraught with jealousy, forcing someone to make a deadly move.
After experiencing traumatic nightmares of a time now past, the Sorceress summons Prince Adam and Cringer to Castle Grayskull to give Adam a precious, jeweled sword and send the pair to the planet Etheria to investigate its secrets.
A 2006 Singaporean film and the sequel to the 2002 film, I Not Stupid. A satirical comedy, I Not Stupid Too portrays the lives, struggles and adventures of three Singaporean youths - 15-year-old Tom, his 8-year-old brother Jerry and their 15-year-old friend Chengcai - who have a strained relationship with their parents. The film explores the issue of poor parent-child communication.
En is an 18-year-old who has lost his father to cancer. As his family is drawn together in a sudden tragedy, he has to decide what he believes in. But in a country where ideologies are forged on constantly shifting sands, he struggles to stay true to what he knows to be right. And in a family that prefers to forget, the sandcastles of all he holds dear seem doomed to be washed away by the tides of time.
50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").
A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:
Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.
While Joel and his older ship's captain brother Mark are at sea, the latter is abandoned in Singapore by devious ship's mate Finch who, upon their return, convinces the townspeople that Joel abandoned his brother. Joel, determined to not only find Mark but to see justice done, returns the ship to Singapore.
The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.