Second in the series, dysfunctional friends Adam and Quentin are on the road, taking care of business in their own inimitable fashion.
Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?
A study in pins of a man who loses his nose which becomes a personality in its own right.
A woman runs for her life though the streets of Los Angeles after her blind date suddenly turns violent.
Siri wakes to find herself trapped inside a brutalist candy-coloured dreamhouse. Despite the cutesy decor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras, 24/7. Presiding over the group is an authoritarian diva who speaks entirely with the voice of Kenneth Clark from the 1960s BBC series Civilisation. As she forces the women to go head-to-head in a series of demeaning tasks, Siri, with the help of fellow inmate Alexa, starts subverting the rules and soon reveals the sinister truth that underpins their world.
Vampire death dealer Selene fends off brutal attacks from both the Lycan clan and the Vampire faction that betrayed her. With her only allies, David and his father Thomas, she must stop the eternal war between Lycans and Vampires, even if it means she has to make the ultimate sacrifice.
A shy high school senior (Paralta) finds a magic locket that will allow her to trade one physical feature with anyone she murders.
In the tradition of E.C. Horror Comics, this cautionary tale examines life through the eyes of Death who gets derailed when an impatient single Mom carelessly mistakes the scythe-carrying cloaked one for her tardy babysitter and leaves Death to care for her precocious 9-year-old daughter.
Three childhood friends set aside their personal issues and reunite for a girls’ weekend on a remote island off the coast of Maine. One wrong move turns their weekend getaway into a deadly fight for survival.
An ambitious anthology film featuring segments directed by over two dozen of the world's leading talents in contemporary genre film. Inspired by children's educational ABC books, the film comprises 26 individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death.
A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.
A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.
In 1890s Alaska, an ice photographer meets the Devil.
An anthology feature film that puts a uniquely dark and original spin on some of the most iconic and beloved holidays of all time by challenging our folklore, traditions and assumptions.
A screener at the British Board of Film Classification (BBFC), who has earned an unsavory reputation for being the strictest censor of violent films, begins to spiral out of control after viewing a low-budget horror with similarities to the disappearance of her sister.
Charlotte (Mittel) moves into a secluded hillside home with her boyfriend Howard (Gunn), and soon discovers she is pregnant. But her happiness is clouded by several strange occurrences - ghostly footsteps, disembodied voices, and the appearance of an eerie, faceless woman. The encounters become more frequent and disturbing, and Charlotte is shocked to discover she is suffering from a Dissociative Fugue which has caused her to forget everything from the last nine months. As she sets out to uncover what caused her memory loss, the events of the past blend into the present - threatening not only her life, but that of her unborn baby.
Born with an unusual defect that left her without a navel, she grows up feeling like she doesn’t quite belong. Her body and her being carry traces of something foreign, something she cannot understand. To escape this strangeness, she develops a fascination with watching — always the observer, never the participant. But when she encounters a man, her fear of closeness begins to give way, turning into obsession. Gradually, her watching crosses boundaries: from distance to intimacy, from desire to intrusion.
A teenage boy is hidden at an orphanage by his mother to protect him against his father, who wants to use the boys body to be reborn.
When a women's softball team win a game against a group of rough talking and dirty playing men, they find themselves unwittingly involved in a new competition with much higher stakes: life and death. After being horribly attacked and assaulted by their male competitors, the women are forced to use both their wits and strength to escape their tormentors and avenge their teammates.
Bagman, a killer with a paper bag on the head, kills anybody who pronounces his name three times. When a gang of gangsters meets a girl who escaped the killer, they call Bagman and a violent battle ensues.