Le scorpion

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

At the library, Sung-mo picks up the ringing phone of a person on the opposite side of his desk in an unguarded moment, while the person is out. A woman asks Sung-mo to run away with the phone.

On an ordinary day, Yoon-jin(26) finds Ji-hoon(14) crouching down on a stair in the hallway in front of her house.

Hyeong-seo is Hyun-ji's groom-to-be. He quarrels with the issues related to marriage preparations and raises voice. Seol-won who was Hyun-ji's ex-boyfriend get angry to find him badly treating her.

Min-joon, who has failed the civil service exam for 10 years, gets a lucky pencil from his friend, Kyung-joon, saying, "When you do it, you get a perfect score."

Sun-young and Na-hee, who fought and broke up during college, met two years later to make up.

Actresses Minji and Hannah are close friends and like Junho at the same time. The car with three people on its way to the beach smells like farts. One of the two is is doing her best in acting.

In April, Min-ji is trying to change the mood in the house. Min-ji call men she know because Min-ji have to move heavy furniture, but everyone refuses. Min-ji is forced to call out Byeong-gu who is jerk. Byeong-gu begins to stir the house.

A girl's day with an unexpected experience due to allergies.

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

A classic, haunting ghost story based on Stephen King's original short.

Two desperate pioneer women escape together across the midwestern desert in 1848.

Esther, a highly anxious 23-year-old, has accepted a second date with Romeo, her colleague at the Temple de la Gaufre.

María allows Cecilia to dye her hair while they wait for Agustín's rehabilitation therapy to finish. This simple fact will change the way mother and daughter perceive their relationship and help them cope with the difficult time they are experiencing.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

When Ethel is threatened with eviction from her retirement community, her friends Vivian and Ruth become co-conspirators in the heist of the century. Their target: the local bingo hall.

Shabbat Dinner is boring as usual for William Shore. His mother has invited two crazy hippies and their son and is doing her best to show off, his father is drunk and berating their oddball guests, and he doesn't have much in common with their son Virgo. That is, until Virgo tells him that he has just come out as gay.

In the course of one afternoon, Raphael's paradise turns into a spiral of guilt and paranoia.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.