Le Viol : Anne, Corinne, Annie, Brigitte, Josyane, Monique et les autres…

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Justice, opportunity, connection, equity, friendship, respect, experience, community, knowledge, health, success, love – what do I, you, we…hunger for?

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

A presentation of the historical process of rape, followed by a more recent approach of current studies that reinforce ÒRape Reliefs own statistics.

femmes sans domicile fixe ,fragments de vies

Amazones, femmes guerrières de l'Antiquité

This documentary recounts the dysfunctional state of the death penalty in the state of California by revisiting the crimes, arrest, trials and appeals of Lawrence Bittaker, a convicted serial killer who has been on death row at San Quentin since 1981.

Almost five years after their return to power, a new era has dawned under the yoke of the Taliban, an inflexible fundamentalist regime. Under their rule, the former republic has disappeared, replaced by an ultra-rigid power structure closed off from the rest of the world and the foreign press. An "Islamic Emirate of Afghanistan", largely unrecognised, even by Islamic theocracies. After four shoots, mainly carried out outside the official framework, "The Taliban Country" offers a glimpse into the heart of this new Afghan reality. Through the eyes of the men and women facing these upheavals, the film paints a portrait of a paradoxical and radical system. It offers an in-depth look at the workings of a state characterised by extreme rigour, unparalleled in the contemporary world.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

La Parole de l'enfant, sortir du silence

The unlawful killing of a dog leads to conflict in a part of US society when a later investigation shows that while Americans view their pets as family members, the law sees things differently.

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

In France, victims and perpetrators of offenses, misdemeanors, or crimes can meet and talk in secure, supervised settings. Included in the Penal Code since 2014, this "restorative justice" is intended to complement criminal justice and provide a safe space for dialogue. The aim is to enable victims to rebuild their lives and perpetrators to take full responsibility for their actions, thereby reducing the risk of reoffending. This film follows one such program over the course of a year. Amélie, a prison rehabilitation and probation counselor, and Séverine, a lawyer for a victims' association, prepare Marthe, Aurélien, Sylvain, and JF, who are incarcerated for murder or attempted murder of their spouses. They also follow Emeline, Evelyne, and Marie, victims of similar crimes.

The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1963 Amnesty Law and the consequences it had on studies of the Algerian War. It brings together interviews conducted in 2002 with Henri Alleg, editor of the daily newspaper Alger Républicain from 1951 to 1955, and Pierre Vidal-Naquet, historian and essayist. It also features incredible statements from General Massu and lawyers unraveling the various legal defenses of people like Jean-Marie Le Pen. Not only does Moïra have her father, René Vautier, speak, but she also includes footage he himself filmed forty years earlier. A very interesting report, which notably reminds us that the Amnesty is not a pardon but the erasure of the sentence and also of the crime itself.

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

In the east of the Democratic Republic of the Congo, rape has been used as a weapon of war for more than 15 years. Martha writes a teenage girl’s guide to surviving sex slavery.

Rwanda, à la poursuite des génocidaires

A tender exploration of friendship, identity, and transformation, this film follows Brahel and Andoeni, who met as children and grew up together in Guadalajara. Though their romantic relationship eventually ended, their deep friendship endured. Years later, after Brahel’s gender transition, the two reconnect and rediscover their bond. Through a rich tapestry of archival footage, music, intimate moments, and unspoken emotions, the narrative unfolds as a heartfelt journey of reconnection, vulnerability, and lasting affection.

From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.