Sauda

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.

A doctor obsessed with new technology and science, decides to clone himself when he comes in contact with a sponsor.

Karan (Bobby Deol) was wealthy and a mansion was his habitat. Raj (Akshay Kumar) had empty pockets and the sky was his roof. Karan's jet ensured that he could fly if he wanted. Raj could only depend on his two feet. Karan had a family and yet craved love. Raj had love to share, but craved a family. Karan was the eternal Casanova. Raj was the proverbial one-woman man. Karan had it all, and yet felt empty. Raj had nothing, but his heart was full. They were two people as different as can be. Yet they found a common ground. One that led to the glorious road of Friendship! But can they sustain their friendship when new conflicts arise?

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.

A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."

In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.

Thanedaar is a 1990 Hindi action film directed by Raj N. Sippy and starring Sanjay Dutt, Madhuri Dixit, Jeetendra, Jaya Pradha and Kiran Kumar. The film is perhaps most remembered for the hit song Tamma Tamma Loge and its quirky dancing moves. It was the first pairing of Dutt and Dixit who went on to star in 7 films together including big box office successes Saajan (1991) and Khalnayak (1993).

Pooja has been brought up by her grandparents, and has no recollection of her mom and dad. She is told by her grandpa, Kantaprasad, that her dad had passed away. Years later, Pooja has now grown up. She starts getting mysterious phone calls from a male who merely says "I love you", and hangs-up. When her grandpa has these phone calls traced, the caller is Anand, Pooja's dad. Kantaprasad has him beaten up, and warns him against contacting Pooja again. When Pooja is being molested by a male in her apartment building, Anand comes to her rescue, and it is then Pooja comes to know that this shabby, alcoholic man is her dad. Will Pooja accept him, or will she follow her grandpa's advise and continue on with her life.

A taxi driver with a tragic past sees an opportunity for redemption when he encounters a woman sold into prostitution. Wanting to help her escape, he has to deal with the wrath of the brothel madam.

Ajay, the son of criminal leader Nageshwar, leads a peaceful family life. However, when the rivals kidnap Ajay's son, Nageshwar forces him to join the life of crime to rescue his child.

Disowned by his father as a boy, Surya is taken in by a crime boss. When his brother Shiv is wrongly imprisoned, his father pleads for Surya's help.

The Sharma family re-locate to a semi-urban locality in a house that has a "reputation". The Sharma family consists of Mr. Sharma, his wife Shalini Sharma, only daughter Manisha Sharma or "Mini" as they affectionately call her; and their grandchild Bunty, as his parents had been killed in an accident. Strange things start happening, with a return of a dead kitten, and the brutal murder of Manisha's friend, Reshmi; an attempt to kill Mr. Sharma and Manisha's boyfriend, Deepak. What is the force behind these brutalities? Is it natural or supernatural?

Surjit finds out that his sister is in love with Manjit Singh . Surjit goes to Thakurs house in order to get Manjit to marry his sister. The Thakur humiliates him; making him, a vegetarian, eat dog food and beg on his knees. Surjit does so and is told to go home and make wedding preparations. The next day, Thakur visits Surjit and kills him and his wife in broad daylight.

After accidentally shooting a 12-year-old boy, a dedicated cop is removed from his position. Forced to take work at a local cinema and beginning to lose his eyesight, he struggles to provide for his son.

Early-1940s, rural British India. When a woman decides to fight against the village's despotic subedar and is supported by the guard of the local spice factory, more women join to defy the prevailing oppression.

In feudal Rajasthan, a bunch of peasants rise up against the exploitative landowners and the age-old system of caste-based oppression.

Fearing his death, Ranbir Singh (Salim Ghouse) decides to kill Kohinoor when he is a child, in vain though. After 20 years Kohinoor (Govinda) returns to claim his rightful place in the ...

A widow raises two sons, one of whom is not her biological child (unbeknownst to him). Her biological child leaves India to work in Dubai, but eventually finds himself in the criminal underworld.

Childhood friends became enemies when one Mahendra Ashwini Kumar grows up to be Additional Police Commissioner and the other Raj Pratap Singhal becomes a smuggler.