Eastwood & Co.: Making 'Unforgiven'

A television documentary about miners: the reality of their work versus how it is made to look and sound in the public sphere.

An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

Alexis is a 32-year-old white woman married to Alain, an African from Rwanda. This documentary focuses on Alexis giving birth in her parents home. As her parents and great-grandmother look on, a calm mid-wife delivers ten and a half pound Jazmine. The documentary is Interspersed with interviews with Alexis, her husband, Alexis' parents, the soon to be great-grandmother and the midwife.

Documentary of bbno$’s concert tour through Australia and New Zealand

A short documentary feature following young German troops in training,

The same submarine which successfully captured the world's first moving images of a giant squid in its natural habitat is used for exploring the deep sea cliffs off the coast of New Guinea. The team encounters true living fossil species one after another. Join this exciting deep sea adventure!

This film demystifies the complex but fascinating world of the investment business. We are given a privileged view of one of Canada's largest brokerage houses, McLeod, Young, Weir and Co. Ltd., and we also hear from some people who understand the complexities of the Montréal, Toronto and Vancouver stock exchanges. We are given a glimpse of a business that forms the basis for capitalism in North America, an instant barometer of the health of the economy.

Dancer Nonoko Sato at Gallery Kaos No Ma in Kyoto. Shot in ambient light on 30 year old Kodachrome and developed in Caffenol, each frame of the film was exposed for up to a second. Nonoko Sato (Japan) is a member of Kiraza Butoh Company and is also active as an independent artist. Special thanks to Matuo Sunamoto of Gallery Kaos No Ma, Kyoto.

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

1906, produced by Charles Urban, cinematography by Frank Ormiston-Smith.

“Let’s think of nature as a big room. Nature is a room you know you’ll have to leave some day, most likely not by choice”. Heather Phillipson’s hallucinatory video put the goat in the goat boat explores endless declinations of nature—natural, naturing, finding a better nature, the nature construction, nature on loan, nature’s lack of nudity...—while revealing humanity’s ambiguous relationship to it.

Joannis Amelii, animula vagula blandula

« A mother is in a psychiatric ward. Today, she is discharged for a few hours and is met by her son. Through fleeting moments – as if suspended in time – the bond between mother and son resurfaces, even as her illness stands in the way. »

The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.

Escalada à Torre dos Clérigos

In this featurette, ART + COM members join the cast and crew of the show to discuss its factual basis and the development of the court case.

The film raises the problem of moral development of a child. It explores how the social environment shapes children's moral feelings.

Sweet Sweet Kink takes a sweet, sweet peek into the kinky world of bondage, dominance, and sadomasochism through stories of intimate connection, consensual exploration, and deep self-reflection.

A researcher finds a phone video showing hundreds of ISIS captives running through a desert. She is puzzled that the video is posted on YouTube by Les Observateurs, a French state-funded news channel as a work of “citizen journalism”. While the video has been removed from many other channels, the French news channel’s legitimacy allows the video to remain online and spread terror over several years. Further investigation uncovers multiple variants of the footage on countless other sites, leading her to despair.

Sydney's population had just reached three million, and while its skyline was not as tall as it is today, it was already on its way to become a modern city. The film visits all of Sydney's most iconic locations, from its beautiful harbour to Circular Quay, Martin Place, Kings Cross and Bondi beach.