Grüße aus Sarmatien für den Dichter Johannes Bobrowski

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.

Anna Ditges accompanied Hilde Domin with her camera during the last two years of her life and in this way created a portrait of the artist - just as she experienced her: sensitive, brusque and headstrong, an egocentric with a biting sense of humor, lots of charm and increasingly affectionate towards the tenacious young woman with the camera. Hilde Domin (born 1909) tells the filmmaker, almost 70 years her junior, with great openness about her childhood in Cologne, 22 years in exile, her return to Germany, her late career as a poet, her great love for her late husband Erwin and her loneliness in old age.

Hamlet and Ophelia reckon with their doomed narratives. Adapted from the 1977 East German Heiner Müller play of the same name.

Sky and walls, a liana of water pipes, dilapidated backyards, cracks in walls, cracked walls full of lost, enigmatic children's signs, rusty railway station grounds, deserts, within them the figures, not conformed to the environment in their sightlessness and obsessive deformation to themselves. clinging to legalities of mechanisms that had become senseless and fused with them, that had perhaps once served them, hovering as if in a dream of condensed emptiness, without moving from the spot, they stumbled and rolled with the machines through sun-hardened, burnt-down landscapes, deflected only by objects, by congealed meteorites.

Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.

A famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dimwitted brother, and a murder investigation.

Atmospheric image from the Wars of Liberation. The poet Theodor Körner, who was later killed in battle, is shown reciting a poem while the soldiers listen with emotion.

Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).

Second part of Hölderlin-trilogy with Udo Samel and Otto Sander in cast.

Algérie, la vie toujours

Wir die Wand

True story of an American volunteer who discovered the unvarnished truth about the Fukushima nuclear disaster cover-up while living in Japan. A critical look at how the authorities handled the nuclear crisis and Tsunami relief by an American who volunteered in the clean-up.

Records the highs and lows of a season that came close to winning the championship. Chronicles the 40-year love affair between a struggling blue-collar city and a perfectly matched blue-collar team.

The official documentary of the Copa Libertadores Feminina 2023

Blanca and Patzi migrated from Bolivia to Argentina. They carry the lore of ancient history, the memory of a dream in Aymara, a mud brick house, the moon and the harvests. When they migrate, things change their name, their time, their place. The roots unfold in the dark tracing paths through the Earth. The community emerges in the city as a way to construct a possible present. Within the collective they weave their stories together with those of other women where they see themselves reflected and empowered. Two women, a shared journey that crosses more borders than the territorial.

Meri unearths memories about Osvaldo, her father, a militant and leader of the Workers’ Party in Argentina. Much like piecing together a shattered vase, she delves into the chronicle of the first accusation of gender violence within that organization. The story winds through both party and family archives, intertwining with the portrait of her mother, Flavia. The director reconstructs her family history, which is, in turn, the history of the party and the political history of the country. An unsettling journey of discovering and yet still loving a father who unveils his monstrous side, “Internal Newsletter” stands as a testament, reflecting on the personal and political upheavals that bind three generations of revolutionary activists.

In ‘Here After’, filmed in a soon-to-be-demolished inner-city tower block on the north side of Dublin, objects disintegrate before our eyes, as though being eaten by some strange virus or invisible entity. The contents of a room disappear as the carpet beneath them is sucked into a void below. Wind haunts the empty spaces, stirring the curtains on an open window, or the wallpaper which barely clings to the damp wall. This movement is contrasted by the stillness of an undressed bed, a rectangle of light from outside creeping over its surface, pausing as if resting one last time before moving off again. The barrier between the interior and exterior is no longer intact, and nature encroaches – water dripping down walls, advancing slowly over floors, spilling dangerously from light-fittings. Light spills in too, but rather than hopeful illumination, its presence is menacing, evoking a sense of time passing too quickly, bringing premature decay.

Kabwita, a young man living with his wife and daughters in Kolwezi, a town in the southwest of the Democratic Republic of Congo, dreams of buying land to build a house. To do so, he produces charcoal (makala), extracted from the ashes of a mighty hardwood tree. Carrying the sacks of charcoal on the back of his bicycle, he embarks on a dangerous journey to sell them on the market.

From hunting traps to metamorphoses, get an up-close view of the visually stunning world of nature’s tiniest creatures in this revealing documentary.

Coverage of the NCAA Final Four basketball catfight in which the University of Arizona Wildcats defeated the University of Kentucky Wildcats. Includes clips of earlier games in the tournament, pre- and post-game interviews, and untelevised camera angles.